AI Appraisal Estimate

AI-generated estimates · not official valuations

From the user

What was submitted

Photo and notes provided by the user — not generated by AI

Submitted item photo
Submitted photo · June 30, 2026

User's notes

No age. No signature. The black marks are on the glass. The picture is in good condition. In the left lower corner is tiny typed info saying 1944 Reliance industries Inc Chicago

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

Note

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

·Not independently authenticated·Verify before acting

Mid-20th-century style floral lithograph in a decorative gilt-tone frame

Wall Art and Prints

AI Estimated Value

·Not an official valuation·Verify before acting

$45–$85

As of June 30, 2026

AI Item Analysis

·AI can make mistakes·Verify before acting
This item is a framed floral print featuring an arrangement of three large yellow roses accompanied by green ferns and lavender-hued sprigs, all set within a shallow, scalloped-edge pedestal bowl. The artwork appears to be a mass-produced lithograph or commercial print stylistically consistent with decorative home art of the 1940s. The paper substrate shows visible age-related toning and small dark spots. There are several dark, linear marks visible on the right side of the composition which, according to the user, are located on the glass rather than the art itself. In the lower-left corner, there is a line of small text that appears to read 'JAN 1944 RELIANCE INDUSTRIES INC. CHICAGO', providing a manufacturer's mark consistent with mid-century American commercial decor production. A small cursive mark that appears to be a signature reading 'Averill' is visible near the base of the flowers, likely representing the artist whose work was reproduced. The frame is a rectangular gilt-finished molding with a textured, rope-like or braided pattern. While the user-supplied text suggests a 1944 production date, this attribution remains unverified without a physical inspection of the print and frame construction. The overall aesthetic is consistent with the sentimental floral styles popular in mid-20th-century American interiors.

AI Appraisal Report

·AI can make mistakes·Verify before acting
Based on the provided image and description, I have evaluated this framed floral print. This piece bears markings consistent with a 1944 commercial lithograph by Reliance Industries Inc. of Chicago and carries a signature attributed to an artist named 'Averill.' From what I can see, the work represents the mass-produced decorative home art typical of the mid-20th century. I cannot verify the physical age of the paper or the frame's construction from a photograph, and I must treat the 1944 date as a hypothesis that would require physical inspection of the printing techniques and substrate to confirm. The value assumes the print is a period piece as suggest by the markings; however, if it were found to be a more modern reproduction of the 1944 design, the value would likely drop to under $20. Market demand for these types of sentimental floral prints is generally stable among collectors of 'shabby chic' or mid-century cottage decor. The presence of the Reliance Industries mark adds a degree of historical context that collectors of Chicago-based manufacturing may value. The gilt-finished frame appears to be in good condition, and while the markings on the glass are noted, they do not appear to have damaged the underlying art. To confirm this identification, an in-person examination would be necessary to check for dot patterns characteristic of 1940s offset lithography versus modern digital printing. My estimate reflects the typical market range for decorative prints of this specific era and manufacturer.

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