Early-to-mid-20th-century style ceramic figural condiment set

This set appears to be a multi-piece ceramic condiment or breakfast set, consisting of a rectangular base with rounded corners, a central lidded mustard or jam pot, and two figural shakers shaped like chickens or hens. The set is decorated with a lustrous glaze that is stylistically consistent with Japanese 'Noritake' or 'Marutomo' lusterware from the early to mid-20th century. The base features a floral motif in pink, green, and yellow, while the shakers are hand-painted with reddish-brown accents to represent feathers. The central pot lid includes a small gold-toned finial and a cutout for a spoon. Both chicken figures have small holes at the top for dispensing salt or pepper. There is a visible iridescent sheen across the surface, a hallmark of lusterware techniques. No maker's mark is visible from this angle, so this attribution is based on stylistic characteristics common to exported ceramics from Japan during the Art Deco era. The condition appears fair, with minor wear to the hand-painted details and some possible fading of the luster finish.

I have examined the image provided of this ceramic condiment set. Based on what I can see, the set exhibits characteristics typical of Japanese lusterware produced for the export market during the 1920s through the 1940s. The iridescent glaze and floral base motif suggest a production style consistent with makers such as Marutomo or Noritake, though I cannot verify a specific manufacturer without a physical inspection of the underside to check for backstamps or hallmarks. The value I have assigned assumes the set is a period-correct example from the early-to-mid 20th century. Market demand for these types of 'fancy' kitchenware items remains steady among collectors of Art Deco-era ceramics, though it is a niche market. Factors influencing this estimate include the visual charm of the figural chicken shakers and the relative completeness of the set. However, condition issues such as the visible wear on the hand-painted details and the potential loss of the luster finish suggest it is in fair condition. I must note that my assessment is a working hypothesis; the value would be lower if the set is a later mid-century imitation or if there are cracks or repairs hidden from view. To confirm this attribution, an in-person examination by a specialist is required to verify the ceramic body composition and any hidden marks. The presence of a recognized maker's mark could push the value toward the higher end of the range, while an unattributed or damaged set would likely realize significantly less at market.