
Edwardian Era Oval Portrait Miniature Pendant
This is an antique oval-shaped portrait miniature, likely dating from the Edwardian period (circa 1900-1915). The piece features a high-quality hand-tinted photograph or delicately painted miniature on a substrate like ivory or card, depicting a young woman in bridal or formal attire with a white veil and floral bouquet. The image is set within a simple, polished rose or yellow gold-toned metal bezel frame, which appears to be gold-filled or brass. A small suspension loop is attached at the top, suggesting it was intended to be worn as a pendant or mourning locket. The background of the portrait displays a soft teal or aquamarine hue that contrasts with the warm skin tones and white drapery. Condition-wise, the frame shows a light aged patina and surface micro-scratches consistent with use. The portrait itself exhibits some darkening and foxing around the edges, particularly on the right side, which is common in antique miniatures as moisture interacts with the pigments. There are no visible maker's marks or signatures on the face, though such details might be found on the reverse side. The craftsmanship reflects the romanticized aesthetic of the early 20th century, combining photographic technology with traditional artistic finishing techniques.
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Estimated Value
$150-$250
Basic Information
Category
Antique Jewelry / Portrait Miniatures
Appraised On
February 12, 2026
Estimated Value
$150-$250
Item Description
This is an antique oval-shaped portrait miniature, likely dating from the Edwardian period (circa 1900-1915). The piece features a high-quality hand-tinted photograph or delicately painted miniature on a substrate like ivory or card, depicting a young woman in bridal or formal attire with a white veil and floral bouquet. The image is set within a simple, polished rose or yellow gold-toned metal bezel frame, which appears to be gold-filled or brass. A small suspension loop is attached at the top, suggesting it was intended to be worn as a pendant or mourning locket. The background of the portrait displays a soft teal or aquamarine hue that contrasts with the warm skin tones and white drapery. Condition-wise, the frame shows a light aged patina and surface micro-scratches consistent with use. The portrait itself exhibits some darkening and foxing around the edges, particularly on the right side, which is common in antique miniatures as moisture interacts with the pigments. There are no visible maker's marks or signatures on the face, though such details might be found on the reverse side. The craftsmanship reflects the romanticized aesthetic of the early 20th century, combining photographic technology with traditional artistic finishing techniques.
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