Victorian Miniature Portrait Brooch
This is a circular miniature portrait brooch featuring a fair-skinned woman in a three-quarter profile pose. The portrait is hand-painted on a porcelain or ceramic tile base, showcasing a fine level of detail in the subject's blonde hair, blue headband, and blue period dress. She is depicted wearing multiple strands of a blue necklace, which complements the overall color palette. The portrait is enclosed within a metallic frame, likely gold-filled or brass, featuring a decorative rope-twist or cable border that adds texture and depth to the piece. The overall craftsmanship suggests a late 19th-century Victorian or early 20th-century Edwardian style, often categorized as 'Grand Tour' jewelry or sentimental keepsakes from that era. The ceramic surface shows a soft luster, while the metal frame appears to have a slight aged patina, particularly in the recessed areas of the rope design. No visible cracks are present on the face of the porcelain, suggesting it has been well-preserved. There are no immediate signatures visible on the front, though maker marks might be present on the reverse pin mechanism. The piece retains its original character with expected minor surface wear consistent with age.
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Estimated Value
$250 - $450
Basic Information
Category
Antique Jewelry
Appraised On
February 2, 2026
Estimated Value
$250 - $450
Item Description
This is a circular miniature portrait brooch featuring a fair-skinned woman in a three-quarter profile pose. The portrait is hand-painted on a porcelain or ceramic tile base, showcasing a fine level of detail in the subject's blonde hair, blue headband, and blue period dress. She is depicted wearing multiple strands of a blue necklace, which complements the overall color palette. The portrait is enclosed within a metallic frame, likely gold-filled or brass, featuring a decorative rope-twist or cable border that adds texture and depth to the piece. The overall craftsmanship suggests a late 19th-century Victorian or early 20th-century Edwardian style, often categorized as 'Grand Tour' jewelry or sentimental keepsakes from that era. The ceramic surface shows a soft luster, while the metal frame appears to have a slight aged patina, particularly in the recessed areas of the rope design. No visible cracks are present on the face of the porcelain, suggesting it has been well-preserved. There are no immediate signatures visible on the front, though maker marks might be present on the reverse pin mechanism. The piece retains its original character with expected minor surface wear consistent with age.
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