
Blanchard Cairo 18k Gold and Faience Egyptian Revival Brooch
This exquisite Egyptian Revival brooch features a carved turquoise-colored glazed faience plaque depicting three Egyptian deities or figures in a classic frontal pose. The plaque is securely housed within a sophisticated 18k yellow gold frame designed in the architectural style of a naos or Egyptian pylon temple, complete with a coved cornice at the top and incised linear detailing. Based on provided context, this piece is attributed to the renowned firm Blanchard based in Cairo, which specialized in fine jewelry for the discerning tourist and expatriate market during the early to mid-20th century, particularly peaking after the 1922 discovery of Tutankhamun's tomb. The craftsmanship demonstrates high-quality metalwork with precise chasing on the gold frame. The faience displays a soft, matte patina consistent with aged ceramic glazing, showing minor surface wear but no visible structural cracks or significant losses. The gold mount exhibits a warm, natural patina with very faint surface scratches, indicating it has been carefully handled over several decades. Such pieces are highly collectible for their fusion of ancient motifs with Art Deco era luxury standards.
AI-Generated Appraisal Disclaimer
Estimated Value
$1,800 - $2,500
Basic Information
Category
Fine Jewelry / Egyptian Revival
Appraised On
December 21, 2025
Estimated Value
$1,800 - $2,500
Additional Details Provided By Owner
User Provided Information
Blanchard Cairo 18k
Item Description
This exquisite Egyptian Revival brooch features a carved turquoise-colored glazed faience plaque depicting three Egyptian deities or figures in a classic frontal pose. The plaque is securely housed within a sophisticated 18k yellow gold frame designed in the architectural style of a naos or Egyptian pylon temple, complete with a coved cornice at the top and incised linear detailing. Based on provided context, this piece is attributed to the renowned firm Blanchard based in Cairo, which specialized in fine jewelry for the discerning tourist and expatriate market during the early to mid-20th century, particularly peaking after the 1922 discovery of Tutankhamun's tomb. The craftsmanship demonstrates high-quality metalwork with precise chasing on the gold frame. The faience displays a soft, matte patina consistent with aged ceramic glazing, showing minor surface wear but no visible structural cracks or significant losses. The gold mount exhibits a warm, natural patina with very faint surface scratches, indicating it has been carefully handled over several decades. Such pieces are highly collectible for their fusion of ancient motifs with Art Deco era luxury standards.
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