
McKenney & Hall Portrait of Kishkekosh
This item is a framed lithograph of 'Kishkekosh', a prominent Fox (Meskwaki) chieftain, derived from the historic 'History of the Indian Tribes of North America' by Thomas McKenney and James Hall. The subject is depicted wearing a buffalo-horn headdress, face paint, and holding a decorated war club and a lance with eagle feathers. The portrait is executed with a warm color palette dominated by terracottas, earth tones, and greens. Physically, the artwork is presented in a sophisticated multi-mat display featuring a deep red inner mat and a wide black outer mat, enclosed in a gilded wood frame with a decorative fluted or scalloped texture. The title 'Kishkekosh' is printed in a stylized cursive font beneath the subject. The lithograph appears to be a mid-20th-century reproduction of the original 19th-century plate, possibly from the 1933 or 1950s Edinburgh/Philadelphia print runs. The condition appears excellent with no visible foxing, water damage, or fading of the pigments, and the frame shows minimal wear. The craftsmanship of the framing suggests professional archival-style mounting, likely done in the late 20th century to preserve the print.
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Estimated Value
$450-650
Basic Information
Category
Fine Art Prints & Lithographs
Appraised On
April 25, 2026
Estimated Value
$450-650
Item Description
This item is a framed lithograph of 'Kishkekosh', a prominent Fox (Meskwaki) chieftain, derived from the historic 'History of the Indian Tribes of North America' by Thomas McKenney and James Hall. The subject is depicted wearing a buffalo-horn headdress, face paint, and holding a decorated war club and a lance with eagle feathers. The portrait is executed with a warm color palette dominated by terracottas, earth tones, and greens. Physically, the artwork is presented in a sophisticated multi-mat display featuring a deep red inner mat and a wide black outer mat, enclosed in a gilded wood frame with a decorative fluted or scalloped texture. The title 'Kishkekosh' is printed in a stylized cursive font beneath the subject. The lithograph appears to be a mid-20th-century reproduction of the original 19th-century plate, possibly from the 1933 or 1950s Edinburgh/Philadelphia print runs. The condition appears excellent with no visible foxing, water damage, or fading of the pigments, and the frame shows minimal wear. The craftsmanship of the framing suggests professional archival-style mounting, likely done in the late 20th century to preserve the print.
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