Margaret Kane Figurative Lithograph Print
Fine Art - Prints & Lithographs

Margaret Kane Figurative Lithograph Print

This item is an offset lithograph or fine art print featuring the distinctive style of artist Margaret Kane, likely dating from the 1960s or 1970s. The artwork depicts young girls with large, soulful eyes and long, flowing hair, a signature 'Big Eye' aesthetic popular during that mid-century era. The central figure wears a white Edwardian-style gown with ruffled cuffs and a high neckline, while another figure carries a detailed wicker basket filled with small blue flowers. The palette is muted and ethereal, consisting primarily of soft blues, greys, and cream tones. The piece is executed on a textured paper stock that mimics the look of a pencil or charcoal drawing with light washes. A partial signature reading 'Kane' is visible in the lower-left corner. The condition appears fair to good; there is visible foxing or age-related spotting on the paper, particularly in the lower margin and throughout the background. The print is housed behind glass in a dark-colored frame, which shows some minor surface dust and wear. The craftsmanship reflects commercial decorative art of the monochrome sentimentalist style, often associated with the 'Big Eye' movement led by figures like Margaret Keane, though this specific work is credited to Margaret Kane.

Estimated Value

$45-85

Basic Information

Category

Fine Art - Prints & Lithographs

Appraised On

March 11, 2026

Estimated Value

$45-85

Item Description

This item is an offset lithograph or fine art print featuring the distinctive style of artist Margaret Kane, likely dating from the 1960s or 1970s. The artwork depicts young girls with large, soulful eyes and long, flowing hair, a signature 'Big Eye' aesthetic popular during that mid-century era. The central figure wears a white Edwardian-style gown with ruffled cuffs and a high neckline, while another figure carries a detailed wicker basket filled with small blue flowers. The palette is muted and ethereal, consisting primarily of soft blues, greys, and cream tones. The piece is executed on a textured paper stock that mimics the look of a pencil or charcoal drawing with light washes. A partial signature reading 'Kane' is visible in the lower-left corner. The condition appears fair to good; there is visible foxing or age-related spotting on the paper, particularly in the lower margin and throughout the background. The print is housed behind glass in a dark-colored frame, which shows some minor surface dust and wear. The craftsmanship reflects commercial decorative art of the monochrome sentimentalist style, often associated with the 'Big Eye' movement led by figures like Margaret Keane, though this specific work is credited to Margaret Kane.

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