
Reverse Painted Glass Oriental Scene with Pagoda-Style Frame
This item is a decorative reverse painted glass panel depicting an oriental garden scene, enclosed within an ornate, dark-stained wooden frame designed in a pagoda or temple architectural style. The painting features three figures, likely two women and one man, dressed in traditional East Asian attire. The man, positioned on the left, wears yellow trousers and a dark jacket, holding what appears to be a birdcage. The two women are centrally located, with one standing and holding a fan, and the other seated or kneeling. The background includes a blossoming white-flowered tree (possibly cherry blossoms), rolling hills or mountains, and smaller trees and foliage. The colors used are generally muted but distinct, with prominent yellow, various shades of grey, blue, pink, and brown. The frame is particularly notable, featuring a prominent roof-like top with intricate openwork carvings, suggestive of traditional Asian architectural motifs. The sides of the frame appear to be solid, possibly wood or a composite material, with a dark, rich finish. The item appears to be in good vintage condition with visible signs of age consistent with the '1950 oriental picture framed' context; however, no significant damage or wear is discernible from the image. The reverse painting technique suggests a certain level of craftsmanship, where details are carefully applied to the back of the glass. The overall aesthetic points to an mid-20th century interpretation of Chinoiserie or an imported piece from an East Asian country.
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Estimated Value
$250 - $400
Basic Information
Category
Decorative Art
Appraised On
December 15, 2025
Estimated Value
$250 - $400
Additional Details Provided By Owner
User Provided Information
1950 oriental picture framed
Item Description
This item is a decorative reverse painted glass panel depicting an oriental garden scene, enclosed within an ornate, dark-stained wooden frame designed in a pagoda or temple architectural style. The painting features three figures, likely two women and one man, dressed in traditional East Asian attire. The man, positioned on the left, wears yellow trousers and a dark jacket, holding what appears to be a birdcage. The two women are centrally located, with one standing and holding a fan, and the other seated or kneeling. The background includes a blossoming white-flowered tree (possibly cherry blossoms), rolling hills or mountains, and smaller trees and foliage. The colors used are generally muted but distinct, with prominent yellow, various shades of grey, blue, pink, and brown. The frame is particularly notable, featuring a prominent roof-like top with intricate openwork carvings, suggestive of traditional Asian architectural motifs. The sides of the frame appear to be solid, possibly wood or a composite material, with a dark, rich finish. The item appears to be in good vintage condition with visible signs of age consistent with the '1950 oriental picture framed' context; however, no significant damage or wear is discernible from the image. The reverse painting technique suggests a certain level of craftsmanship, where details are carefully applied to the back of the glass. The overall aesthetic points to an mid-20th century interpretation of Chinoiserie or an imported piece from an East Asian country.
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