
Graciela Rodo Boulanger - Le Cirque (Signed Limited Edition Lithograph)
This is a vibrant, multi-colored original lithograph by the renowned Bolivian artist Graciela Rodo Boulanger, titled 'Le Cirque'. The piece features her signature whimsical style, depicting circus figures—clowns, acrobats, and horses—in a flattened, joyful perspective. The composition uses a saturated palette of deep navy blue, red, emerald green, and gold. The artwork is executed on high-quality paper with deckled edges visible within the matting. It is a limited edition, marked with the edition number '81/150' in the lower-left margin and hand-signed by the artist in the lower-right margin. The print is professionally housed in a classic gold-leaf wood frame with a linen-textured mat and a gold fillet. Condition appears excellent, showing no signs of fading, foxing, or water damage, suggesting it has been kept in a light-controlled environment. Boulanger’s work from the mid-to-late 20th century (circa 1970s-80s) is highly collectible, characterized by these joyful, childlike interpretations of everyday and performance life.
AI-Generated Appraisal Disclaimer
Estimated Value
$1,200 - $1,800
Basic Information
Category
Fine Art - Original Limited Edition Prints
Appraised On
December 23, 2025
Estimated Value
$1,200 - $1,800
Item Description
This is a vibrant, multi-colored original lithograph by the renowned Bolivian artist Graciela Rodo Boulanger, titled 'Le Cirque'. The piece features her signature whimsical style, depicting circus figures—clowns, acrobats, and horses—in a flattened, joyful perspective. The composition uses a saturated palette of deep navy blue, red, emerald green, and gold. The artwork is executed on high-quality paper with deckled edges visible within the matting. It is a limited edition, marked with the edition number '81/150' in the lower-left margin and hand-signed by the artist in the lower-right margin. The print is professionally housed in a classic gold-leaf wood frame with a linen-textured mat and a gold fillet. Condition appears excellent, showing no signs of fading, foxing, or water damage, suggesting it has been kept in a light-controlled environment. Boulanger’s work from the mid-to-late 20th century (circa 1970s-80s) is highly collectible, characterized by these joyful, childlike interpretations of everyday and performance life.
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