AI Appraisal Estimate

This is a vibrant, multi-colored original lithograph by the renowned Bolivian artist Graciela Rodo Boulanger, titled 'Le Cirque'. The piece features her signature whimsical style, depicting circus figures—clowns, acrobats, and horses—in a flattened, joyful perspective. The composition uses a saturated palette of deep navy blue, red, emerald green, and gold. The artwork is executed on high-quality paper with deckled edges visible within the matting. It is a limited edition, marked with the edition number '81/150' in the lower-left margin and hand-signed by the artist in the lower-right margin. The print is professionally housed in a classic gold-leaf wood frame with a linen-textured mat and a gold fillet. Condition appears excellent, showing no signs of fading, foxing, or water damage, suggesting it has been kept in a light-controlled environment. Boulanger’s work from the mid-to-late 20th century (circa 1970s-80s) is highly collectible, characterized by these joyful, childlike interpretations of everyday and performance life.

Based on my visual examination of 'Le Cirque,' this original lithograph appears to be an authentic example of Graciela Rodo Boulanger’s mid-career output, likely dating from the 1970s or 1980s. The piece maintains the characteristic vibrant saturation and whimsical figural style that define her most sought-after works. The condition is assessed as excellent; the colors remain crisp without the chromatic fading often seen in prints from this era, and the margin edges appear clean within the high-quality archival framing. The inclusion of the edition number (81/150) and a graphite signature increases marketability compared to her unnumbered posters. Market demand for Boulanger remains steady among collectors of Latin American contemporary art, though prices have stabilized compared to her peak in the late 1990s. Similar circus-themed lithographs of this size and edition run have realized between $1,000 and $2,000 at auction and gallery sales. The premium framing and linen matting add approximately $200-$300 in secondary market value. Limitations: This evaluation is based on digital imagery. While the signature and paper texture appear consistent with known examples, a definitive authentication requires a physical inspection to verify the watermark of the paper (likely Arches or Rives BFK) and to confirm that the ink sits on the surface of the fibers rather than being a high-quality photomechanical reproduction. Further provenance research, such as a gallery invoice or original certificate of authenticity (COA), would be required to solidify the valuation at the higher end of the range.