
Reproduction of 'Luncheon of the Boating Party' (Detail of Aline Charigot and Dog)
This item is a contemporary reproduction of a specific detail from Pierre-Auguste Renoir's 1881 masterpiece, 'Luncheon of the Boating Party'. The artwork depicts Renoir's future wife, Aline Charigot, playfully holding a small affenpinscher or terrier-type dog while seated at a table. The piece is rendered in the Impressionist style characterized by soft, dappled light and visible, textured brushstrokes. It is a vertically oriented canvas print or painted study, mounted on a frameless board or stretched canvas that appears to have a slight gloss or a protective finish, suggesting a modern manufacturing process rather than a 19th-century original. The colors are dominated by the warm yellows and reds of Aline’s floral hat, contrasted against the deep blues of her dress and the dark fur of the dog. The table setting in the foreground includes glassware and remnants of a meal, executed with light, airy strokes. Physically, the item appears to be in good condition with no visible tears or significant fading, though the lacks of a frame and the slightly reflective surface indicate it is a decorative wall-art piece likely produced in the late 20th or early 21st century. The craftsmanship is designed for aesthetic home decor rather than fine art gallery standards, often sold as high-quality giclée or commercial canvas replicas.
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Estimated Value
$45 - $85
Basic Information
Category
Wall Art / Fine Art Reproduction
Appraised On
February 11, 2026
Estimated Value
$45 - $85
Item Description
This item is a contemporary reproduction of a specific detail from Pierre-Auguste Renoir's 1881 masterpiece, 'Luncheon of the Boating Party'. The artwork depicts Renoir's future wife, Aline Charigot, playfully holding a small affenpinscher or terrier-type dog while seated at a table. The piece is rendered in the Impressionist style characterized by soft, dappled light and visible, textured brushstrokes. It is a vertically oriented canvas print or painted study, mounted on a frameless board or stretched canvas that appears to have a slight gloss or a protective finish, suggesting a modern manufacturing process rather than a 19th-century original. The colors are dominated by the warm yellows and reds of Aline’s floral hat, contrasted against the deep blues of her dress and the dark fur of the dog. The table setting in the foreground includes glassware and remnants of a meal, executed with light, airy strokes. Physically, the item appears to be in good condition with no visible tears or significant fading, though the lacks of a frame and the slightly reflective surface indicate it is a decorative wall-art piece likely produced in the late 20th or early 21st century. The craftsmanship is designed for aesthetic home decor rather than fine art gallery standards, often sold as high-quality giclée or commercial canvas replicas.
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