Seated Jockey Bronze Sculpture after Isidore Jules Bonheur
Fine Art / Decorative Sculpture

Seated Jockey Bronze Sculpture after Isidore Jules Bonheur

A figurative bronze sculpture of a seated jockey, modeled after the mid-19th-century French Romantic style popularized by Isidore Jules Bonheur. The figure is depicted in a moment of rest, seated atop a fence or post with legs crossed comfortably. The jockey wears authentic period racing attire, including a long-sleeved jacket with realistic fabric folds, a cap, and tall riding boots. The physical construction appears to be cast bronze with a dark brown chemical patina that shows lighter, coppery highlights on high-relief areas such as the knees and shoulders. The sculpture is mounted on a rectangular black marble base with white veining (Marquina marble or similar), which adds substantial weight and stability. Notable features include the detailed textures of the clothing and the expressive, downward-cast gaze of the figure. Condition-wise, the bronze displays a healthy aged patina with minor surface dust in the crevices and light scuffing on the protruding toe of the boot. No major fractures or repairs are visible. This piece likely dates from the late 19th to early 20th century, following the 'Animalier' school's attention to anatomical detail and equestrian themes. The quality of the casting captures delicate details like the fingers resting on the knee and the buckle of the spur.

Estimated Value

$400 - $800

Basic Information

Category

Fine Art / Decorative Sculpture

Appraised On

January 11, 2026

Estimated Value

$400 - $800

Item Description

A figurative bronze sculpture of a seated jockey, modeled after the mid-19th-century French Romantic style popularized by Isidore Jules Bonheur. The figure is depicted in a moment of rest, seated atop a fence or post with legs crossed comfortably. The jockey wears authentic period racing attire, including a long-sleeved jacket with realistic fabric folds, a cap, and tall riding boots. The physical construction appears to be cast bronze with a dark brown chemical patina that shows lighter, coppery highlights on high-relief areas such as the knees and shoulders. The sculpture is mounted on a rectangular black marble base with white veining (Marquina marble or similar), which adds substantial weight and stability. Notable features include the detailed textures of the clothing and the expressive, downward-cast gaze of the figure. Condition-wise, the bronze displays a healthy aged patina with minor surface dust in the crevices and light scuffing on the protruding toe of the boot. No major fractures or repairs are visible. This piece likely dates from the late 19th to early 20th century, following the 'Animalier' school's attention to anatomical detail and equestrian themes. The quality of the casting captures delicate details like the fingers resting on the knee and the buckle of the spur.

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