Framed Portrait of Woodrow Wilson by Samuel J. Woolf

This is a framed monochrome portrait of the 28th U.S. President, Woodrow Wilson, based on a charcoal or lithographic drawing by the noted artist and journalist Samuel Johnson Woolf (1880–1948). The artwork features Wilson in a formal suit and tie, captured with a stern and intellectual expression characteristic of his public persona. The rendering is primarily in shades of charcoal black and grey on an aged, off-white or cream-colored paper. A signature and date ('S.J. Woolf, Paris, June 1919') are visible at the lower right of the portrait, indicating the original was created during the Paris Peace Conference. The piece is professionally matted with a dark olive-green border and housed in a thin, gold-toned metallic or gilded wood frame. Regarding condition, the paper shows significant yellowing and foxing consistent with age, particularly in the lower left corner and along the edges. The framing appears intact, though the backing is not visible. This specific print or reproduction likely dates to the early to mid-20th century. Woolf was famous for sketching world leaders from life, adding historic value to the likeness. The craftsmanship of the original sketch shows excellent use of chiaroscuro to define the facial structure and the texture of the garments.

I have completed a visual examination of the framed monochrome portrait of President Woodrow Wilson by Samuel J. Woolf. This piece is a significant historical rendering, likely a lithographic reproduction of the charcoal original created during the 1919 Paris Peace Conference. Woolf’s reputation for capturing world leaders from life adds considerable intellectual and historical appeal to the image. The chiaroscuro technique utilized provides a lifelike depth to Wilson’s features, though the physical condition of this specific example is a primary concern. Significant yellowing and foxing are visible, particularly in the lower left quadrant, indicating long-term exposure to acidity or moisture. This degradation negatively impacts the 'eye-appeal' and market value compared to pristine examples. Market demand for presidential memorabilia remains steady, but value for 20th-century prints of this nature is currently modest. Comparable lithographs signed in the plate by Woolf typically realize between $300 and $800 depending on the subject's popularity and state of preservation. The value assigned reflects the historic June 1919 dating, offset by the aforementioned conservation issues. Note: This appraisal is based solely on digital images. Without an in-person inspection, I cannot determine if the signature is hand-signed in pencil or part of the printed plate. Full authentication would require removing the piece from the frame to inspect the paper’s watermark, the verso for possible inscriptions, and the print medium under 10x magnification (to distinguish between a stone lithograph and a mechanical halftone). Professional provenance documentation regarding its chain of ownership since 1919 would be necessary to elevate it to the higher end of the valuation spectrum.