
Departing South Baymouth Framed Print by John Lapas
This is a professionally framed landscape print titled 'Departing South Baymouth,' featuring a scene from Manitoulin Island. The artwork depicts a white lighthouse with a red-tiled roof and a red vertical stripe situated on a rocky shoreline, with a large ferry (the MS Chi-Cheemaun) sailing in the background under a soft, sunset-lit sky. The print is housed in a dark, likely wooden, frame with a grey-blue finish and visible graining. It is double-matted; the inner mat is a thin white border, followed by a primary deep navy blue mat. The title 'Departing South Baymouth' is printed in cursive at the bottom center, with 'Manitoulin Island' on the bottom left and the artist's signature 'John Lapas' on the bottom right. The frame shows noticeable condition issues, specifically white scuffs and dings along the top and bottom edges, indicating wear over time. The composition suggests a late 20th-century style, likely a souvenir or commemorative print of the Great Lakes region. The glass displays a reflection of the room and the photographer, which is not part of the artwork itself.
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Estimated Value
$65-110
Basic Information
Category
Art and Collectibles
Appraised On
May 11, 2026
Estimated Value
$65-110
Item Description
This is a professionally framed landscape print titled 'Departing South Baymouth,' featuring a scene from Manitoulin Island. The artwork depicts a white lighthouse with a red-tiled roof and a red vertical stripe situated on a rocky shoreline, with a large ferry (the MS Chi-Cheemaun) sailing in the background under a soft, sunset-lit sky. The print is housed in a dark, likely wooden, frame with a grey-blue finish and visible graining. It is double-matted; the inner mat is a thin white border, followed by a primary deep navy blue mat. The title 'Departing South Baymouth' is printed in cursive at the bottom center, with 'Manitoulin Island' on the bottom left and the artist's signature 'John Lapas' on the bottom right. The frame shows noticeable condition issues, specifically white scuffs and dings along the top and bottom edges, indicating wear over time. The composition suggests a late 20th-century style, likely a souvenir or commemorative print of the Great Lakes region. The glass displays a reflection of the room and the photographer, which is not part of the artwork itself.
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