AI Appraisal Estimate

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Submitted item photo
Submitted photo · June 6, 2026

User's notes

18 1/2 x 25 “Fish in Sea” 3D sculpture tile by Lynn Warwick. The entry ticket for the Peter Anderson Festival Competition is attached to the back.

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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AI Identification

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Fish in Sea" 3D Sculpture Tile by Lynn Warwick

3D Sculpture Tile Art

AI Estimated Value

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$600-900

As of June 6, 2026

AI Item Analysis

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This item is a 3D sculpture tile art piece by Lynn Warwick, titled "Fish in Sea," measuring 18 1/2 x 25 inches. The artwork is framed, with a multi-layered frame presenting a rich, earthy palette. The outermost layer of the frame appears to be of dark, possibly stained wood, with a bamboo-like texture or segmented design. Inside this, several concentric frames are visible. One prominent inner frame exhibits an ornate, possibly carved or molded design with a light, textured surface, reminiscent of an aged or distressed finish, possibly a gesso or plaster-based material. Another layer appears to be made of small, rectangular ceramic or mosaic tiles, providing a textured, mosaic border around the central sculpted panel. The central sculpture depicts two fish, rendered in light blues and greens, seemingly swimming amidst flowing, organic forms that resemble stylized seaweed or water currents, rendered in terracotta and cream tones. The entire composition evokes an aquatic theme. The texture within the central piece is highly detailed, highlighting the three-dimensionality of the 'seaweed' forms. The background of the central panel is composed of smaller, uniformly square tiles in a muted brown or beige tone, providing a contrasting grid pattern to the organic sculpture. The piece appears to be in good overall condition with a visible patina that complements its earthy tones. The quality of craftsmanship is evident in the intricate details of the sculpture and the layered framing. The presence of an entry ticket for the Peter Anderson Festival Competition on the back suggests a contemporary or modern origin, likely from the late 20th or early 21st century.

AI Appraisal Report

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I have examined the "Fish in Sea" 3D sculpture tile by Lynn Warwick based on the provided image and information. The piece, measuring 18 1/2 x 25 inches, showcases intricate craftsmanship and a compelling design. The multi-layered frame, with its dark wood, ornate inner molding, and mosaic tile elements, significantly enhances the artwork's presentation and value. The central sculpture’s use of light blues, greens, terracotta, and cream tones for the fish and organic forms, set against a background of muted brown square tiles, creates a harmonious aquatic theme.Condition appears good overall, with a desirable patina that complements its earthy aesthetic. The detailed textures within the central piece confirm its three-dimensionality. Authenticity is supported by the artist's name and the presence of a Peter Anderson Festival Competition entry ticket on the back, suggesting a professionally exhibited piece from the late 20th or early 21st century.Market conditions for contemporary ceramic or mixed-media sculpture tiles by regional or emerging artists can vary. While Lynn Warwick may not be a nationally recognized name, the quality and uniqueness of this piece generate demand. Comparables would ideally include other works by Warwick or similar contemporary 3D tile artists. The rarity of such a distinct piece by this artist, coupled with its excellent craftsmanship, positively impacts its value.Factors significantly impacting value include its artistic merit, condition, size, and the quality of its framing. The competition entry ticket adds a layer of verifiable history.Limitations in authenticity verification from images alone exist. While the visual evidence is strong, an in-person examination would confirm the precise materials used, the integrity of the frame, and the absence of any subtle damage not visible in photographs. Provenance documentation beyond the competition ticket, such as gallery records or direct acquisition history, would further solidify its authenticity and value.

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