Figurative pen and ink sketch of Columbus Union Station bearing a signature reading Michael A. Zeno

This item is a framed ink drawing on paper depicting a bustling street scene at the High Street Entrance Arcade of Columbus Union Station. The composition features intricate architectural linework illustrating the Beaux-Arts style arches and columns of the historic transit hub. Figures in early 20th-century attire, horse-drawn carriages, and streetcars are depicted in the foreground. The work is executed in a fine-line illustrative style with cross-hatching for depth and shadow. In the lower left, handwritten text reads 'High Street Entrance Arcade Columbus Union Station Early Twentieth Century'. The lower right bears a signature and inscription reading 'Michael A. Zeno 2.7.75' below other architectural firm names: 'Nitschke Goodwin Bohm'. The paper appears to be an off-white or cream color, consistent with age or intentional toning. The piece is professionally matted with a black inner border and a cream outer mat, housed in a simple dark-toned frame. Without physical inspection, the medium is identified by visual appearance as pen and ink, and its status as an original versus a high-quality print cannot be determined. The work appears to be in good condition, though there is a visible glare on the glass from the photography process.

I have examined the image provided of the ink drawing depicting the Columbus Union Station. Based on what I can see, the work is a finely detailed architectural illustration executed in a style consistent with mid-20th-century professional drafting. The piece bears a signature and date consistent with Michael A. Zeno (1975) and references the architectural firm Nitschke Goodwin Bohm. While the linework appears sharp, I cannot verify from a photo whether this is an execution in liquid ink or a high-quality lithographic reproduction; a physical inspection under magnification would be required to confirm the medium. The value of $150-$350 is based on the assumption that this is a signed work of local historical interest. This estimate reflects the market demand for regional architectural nostalgia and the association with a known firm. I cannot promote the attribution to a confirmed identification, as signatures can be reproduced or added post-production. If the work were determined to be an offset print or a modern reproduction rather than a period drawing, the market value would likely decrease to a decorative range of $25-$75. To confirm the status of the work, an in-person examination by a specialist is necessary to evaluate the paper fibers, ink absorption, and any potential plate marks. General market conditions for architectural illustrations are currently stable, with the highest interest coming from collectors of Ohio history or alumni of the associated architectural firms. Documentation regarding the provenance or the original commission for Nitschke Goodwin Bohm would further clarify its historical significance.