
Carved Coral Guanyin Figurine or Pendant
This is a small, hand-carved figurine or potential pendant depicting Guanyin, the Bodhisattva of Compassion, often revered in East Asian Buddhism. The item measures approximately 2 inches tall and 1 inch wide, consistent with the provided context. It is carved from a vibrant, opaque coral material, exhibiting a reddish-orange hue with lighter tones appearing in the recessed areas and on raised edges due to natural variation or surface wear. The carving shows Guanyin in a seated or reclining posture, possibly holding a lotus bud or flower in her left arm, which is a common attribute. Her face is serene, with fine details visible for the eyes, nose, and mouth, and she wears an elaborate headdress. The drapery of her robes is rendered with flowing lines, suggesting movement and soft folds. The base upon which she sits appears to be a lotus pedestal, intricately carved with individual petals. The overall craftsmanship suggests a skilled hand, with attention to detail in the delicate features and flowing forms. The texture of the coral appears somewhat porous or naturally irregular in places, which is typical for the material. Minor surface wear is visible, consistent with an item purchased in the early 1960s and potentially handled or worn. There are no obvious chips, cracks, or repairs visible in the provided images, indicating good preservation. Given its purchase in Vietnam in the early 1960s, it aligns with a mid-20th century East Asian folk art or devotional art style.
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Estimated Value
$350-550
Basic Information
Category
Devotional Art Collectible
Appraised On
November 6, 2025
Estimated Value
$350-550
Additional Details Provided By Owner
User Provided Information
Purchased in Vietnam in the early 1960’s, it’s 2 inches tall & 1 inch wide
Item Description
This is a small, hand-carved figurine or potential pendant depicting Guanyin, the Bodhisattva of Compassion, often revered in East Asian Buddhism. The item measures approximately 2 inches tall and 1 inch wide, consistent with the provided context. It is carved from a vibrant, opaque coral material, exhibiting a reddish-orange hue with lighter tones appearing in the recessed areas and on raised edges due to natural variation or surface wear. The carving shows Guanyin in a seated or reclining posture, possibly holding a lotus bud or flower in her left arm, which is a common attribute. Her face is serene, with fine details visible for the eyes, nose, and mouth, and she wears an elaborate headdress. The drapery of her robes is rendered with flowing lines, suggesting movement and soft folds. The base upon which she sits appears to be a lotus pedestal, intricately carved with individual petals. The overall craftsmanship suggests a skilled hand, with attention to detail in the delicate features and flowing forms. The texture of the coral appears somewhat porous or naturally irregular in places, which is typical for the material. Minor surface wear is visible, consistent with an item purchased in the early 1960s and potentially handled or worn. There are no obvious chips, cracks, or repairs visible in the provided images, indicating good preservation. Given its purchase in Vietnam in the early 1960s, it aligns with a mid-20th century East Asian folk art or devotional art style.
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