
Framed Art Print: L'Innocence (The Pet Lamb) after William-Adolphe Bouguereau
This item is a framed fine art print reproducing a classic 19th-century pastoral scene, most likely 'L'Innocence' or a similar variation by the French Academic painter William-Adolphe Bouguereau. The central image depicts a young girl in rustic, peasant-style clothing—a white blouse, blue apron, and red skirt—cradling a young lamb in her arms while a larger ewe stands by her side. The background features a soft, atmospheric landscape with additional sheep grazing under a cloudy sky. The print exhibits a muted, romanticized color palette characteristic of the Late Victorian or Academic style. It is housed in a decorative, contemporary frame with a faux-marble or verdigris-style green finish. The artwork is protected by glass and features a double-matting with a neutral cream or beige inner border. Regarding condition, the frame shows some minor surface wear, and the glass reflects significant glare, suggesting it is standard rather than museum-quality non-reflective glass. There is no visible artist signature or edition numbering in the provided view, suggesting it is an open-edition mechanical reproduction rather than a hand-signed lithograph. The overall craftsmanship of the framing is professional, and the piece appears to be from the late 20th century.
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Estimated Value
$45.00 - $85.00
Basic Information
Category
Wall Art & Prints
Appraised On
April 13, 2026
Estimated Value
$45.00 - $85.00
Item Description
This item is a framed fine art print reproducing a classic 19th-century pastoral scene, most likely 'L'Innocence' or a similar variation by the French Academic painter William-Adolphe Bouguereau. The central image depicts a young girl in rustic, peasant-style clothing—a white blouse, blue apron, and red skirt—cradling a young lamb in her arms while a larger ewe stands by her side. The background features a soft, atmospheric landscape with additional sheep grazing under a cloudy sky. The print exhibits a muted, romanticized color palette characteristic of the Late Victorian or Academic style. It is housed in a decorative, contemporary frame with a faux-marble or verdigris-style green finish. The artwork is protected by glass and features a double-matting with a neutral cream or beige inner border. Regarding condition, the frame shows some minor surface wear, and the glass reflects significant glare, suggesting it is standard rather than museum-quality non-reflective glass. There is no visible artist signature or edition numbering in the provided view, suggesting it is an open-edition mechanical reproduction rather than a hand-signed lithograph. The overall craftsmanship of the framing is professional, and the piece appears to be from the late 20th century.
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