
Modernist Abstract Reclining Figure Painting
This is a large-scale horizontal modernist painting depicting a semi-abstract reclining figure within an interior setting. The composition uses a vibrant palette of golden yellows, deep oranges, reds, and cool blues, executed with broad, expressive brushstrokes and blocky color fields. The central figure is stylized with simplified anatomical forms, reclining against a white or light-colored background that suggests furniture. To the left, a still-life element is visible, featuring a bowl of fruit or objects on a table. The work is rendered on a long rectangular canvas that appears to be unframed and mounted directly above a doorway or architectural lintel. The style reflects mid-to-late 20th-century influence, possibly late Expressionist or Fauvist in its treatment of color and light. The condition appears stable from a distance, though slight edge wear typical of unframed gallery-wrapped canvases may be present. There are no visible signatures or maker's marks from this perspective. The craftsmanship shows a confident hand with a focus on color theory and emotive composition rather than realistic detail.
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Estimated Value
$400 - $800
Basic Information
Category
Fine Art - Paintings
Appraised On
February 11, 2026
Estimated Value
$400 - $800
Item Description
This is a large-scale horizontal modernist painting depicting a semi-abstract reclining figure within an interior setting. The composition uses a vibrant palette of golden yellows, deep oranges, reds, and cool blues, executed with broad, expressive brushstrokes and blocky color fields. The central figure is stylized with simplified anatomical forms, reclining against a white or light-colored background that suggests furniture. To the left, a still-life element is visible, featuring a bowl of fruit or objects on a table. The work is rendered on a long rectangular canvas that appears to be unframed and mounted directly above a doorway or architectural lintel. The style reflects mid-to-late 20th-century influence, possibly late Expressionist or Fauvist in its treatment of color and light. The condition appears stable from a distance, though slight edge wear typical of unframed gallery-wrapped canvases may be present. There are no visible signatures or maker's marks from this perspective. The craftsmanship shows a confident hand with a focus on color theory and emotive composition rather than realistic detail.
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