
Painting in the style of Fernando Botero
This item is a framed two-dimensional artwork, appearing to be a painting, drawing, or print executed in a sepia-toned monochromatic palette. The artwork depicts a stout, formally dressed male figure seated at a table, holding a small object in his left hand and seemingly manipulating another item on the table with his right. The figure is characteristic of the 'Boterismo' style, featuring exaggerated, voluminous forms. Behind the figure, a detailed architectural landscape is visible, including buildings with red-tiled roofs, a prominent church or tower structure, and undulating mountains in the background, all rendered in the same sepia tones that give the piece a warm, subdued effect. A curtain or drapery is partially visible on the left side, framing the scene. The artist's signature, partially visible in the bottom right corner, appears to read 'F. Botero 79', suggesting it may be a work by Fernando Botero from 1979. However, the visible stroke quality and flat rendering, along with the consistent monochromatic style in comparison to typical Botero works, raise questions about its authenticity as an original painted piece by the artist. It is framed in a dark, possibly black or very dark wood, frame with an ornate, carved or molded pattern, adding a traditional aesthetic to the presentation. The visible dimensions indicated as 48x36 (presumably inches) suggest a significant wall artwork. The work shows no obvious signs of significant damage or wear; however, reflections on the surface make a detailed assessment of the medium's condition difficult. The piece's quality and craftsmanship appear to be of a professional standard, evidenced by the detailed rendering of architectural elements and the consistent application of tone. The overall impression is one of a stylized, possibly satirical, genre scene typical of Latin American art traditions, particularly that of Fernando Botero.
AI-Generated Appraisal Disclaimer
Estimated Value
$500 - $1,500
Basic Information
Category
Fine Art
Appraised On
December 1, 2025
Estimated Value
$500 - $1,500
Additional Details Provided By Owner
User Provided Information
Fernando Botero Original 48x36
Item Description
This item is a framed two-dimensional artwork, appearing to be a painting, drawing, or print executed in a sepia-toned monochromatic palette. The artwork depicts a stout, formally dressed male figure seated at a table, holding a small object in his left hand and seemingly manipulating another item on the table with his right. The figure is characteristic of the 'Boterismo' style, featuring exaggerated, voluminous forms. Behind the figure, a detailed architectural landscape is visible, including buildings with red-tiled roofs, a prominent church or tower structure, and undulating mountains in the background, all rendered in the same sepia tones that give the piece a warm, subdued effect. A curtain or drapery is partially visible on the left side, framing the scene. The artist's signature, partially visible in the bottom right corner, appears to read 'F. Botero 79', suggesting it may be a work by Fernando Botero from 1979. However, the visible stroke quality and flat rendering, along with the consistent monochromatic style in comparison to typical Botero works, raise questions about its authenticity as an original painted piece by the artist. It is framed in a dark, possibly black or very dark wood, frame with an ornate, carved or molded pattern, adding a traditional aesthetic to the presentation. The visible dimensions indicated as 48x36 (presumably inches) suggest a significant wall artwork. The work shows no obvious signs of significant damage or wear; however, reflections on the surface make a detailed assessment of the medium's condition difficult. The piece's quality and craftsmanship appear to be of a professional standard, evidenced by the detailed rendering of architectural elements and the consistent application of tone. The overall impression is one of a stylized, possibly satirical, genre scene typical of Latin American art traditions, particularly that of Fernando Botero.
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