
Le Colonial of Mannart (The Generalissimo) by Enrico Baj
This is a mixed-media woodblock print by the prominent Italian artist Enrico Baj (1924–2003), representative of his satirical 'Generals' series from the mid-20th century. The piece measures approximately 11 1/2 x 9 1/2 inches and features a grotesque, caricatured profile of a military figure. The central figure is executed in a vibrant palette of green, black, and peach tones, highlighted by a prominent red-and-white rosette with a central star, signifying military rank or decoration. Characteristic of Baj’s d'adaist-influenced style, the subject is rendered with a long, bulbous nose and coarse, expressive outlines. The artistic composition is uniquely mounted against a background of patterned, woven floral damask wallpaper or fabric, a signature technique used by Baj to mock the pomposity of the bourgeoisie and military elite. The work is housed in a contemporary gilded wooden frame with a fabric-textured matting. According to the attached documentation, the piece is a woodblock print in multiple colors and is numbered 40/50 in pencil. The condition appears stable with minor expected aging to the textile substrate and frame; some glare is present on the glass. The craftsmanship is high, reflecting Baj's sophisticated use of collage elements to create textural depth and political subtext.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Fine Art - Mixed Media / Limited Edition Print
Appraised On
March 27, 2026
Estimated Value
$1,200 - $1,800
Additional Details Provided By Owner
User Provided Information
Enrico Baj, 11 1/2x9 1/2. Le Colonial of Mannert
Item Description
This is a mixed-media woodblock print by the prominent Italian artist Enrico Baj (1924–2003), representative of his satirical 'Generals' series from the mid-20th century. The piece measures approximately 11 1/2 x 9 1/2 inches and features a grotesque, caricatured profile of a military figure. The central figure is executed in a vibrant palette of green, black, and peach tones, highlighted by a prominent red-and-white rosette with a central star, signifying military rank or decoration. Characteristic of Baj’s d'adaist-influenced style, the subject is rendered with a long, bulbous nose and coarse, expressive outlines. The artistic composition is uniquely mounted against a background of patterned, woven floral damask wallpaper or fabric, a signature technique used by Baj to mock the pomposity of the bourgeoisie and military elite. The work is housed in a contemporary gilded wooden frame with a fabric-textured matting. According to the attached documentation, the piece is a woodblock print in multiple colors and is numbered 40/50 in pencil. The condition appears stable with minor expected aging to the textile substrate and frame; some glare is present on the glass. The craftsmanship is high, reflecting Baj's sophisticated use of collage elements to create textural depth and political subtext.
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