Hand-colored engraving of a Bald Eagle after John A. Ruthven

This item appears to be a framed, hand-colored engraving titled 'American Bald Eagle' (Haliaeetus leucocephalus). The artwork depicts a bald eagle in flight against a neutral, off-white background, rendered with fine detail in the feathers and talons. The print bears several visible markings and inscriptions that are consistent with a limited-edition series. At the bottom left, it includes text reading 'Original watercolour by John A. Ruthven' and an handwritten edition number '409/776'. To the right, text states 'Engraved by Norma Morgan', 'Printed by Andersen-Lamb (Hand coloured) New York', and 'Published by Wildlife Internationale, Georgetown, Ohio, U.S.A.  1978'. A cursive signature, which appears consistent with that of John A. Ruthven, is visible in the lower right of the image area. The work is housed in a multi-layered mat with a dark wood frame featuring gold-toned accents. While the markings suggest an 11th-edition print from 1978, the signatures and production details are unverified without a physical examination to confirm they are not reproductions. The overall condition appears good with no obvious foxing or tears visible behind the glass.

Based on the provided imagery, I have examined a framed work featuring a bald eagle, which bears inscriptions and signatures consistent with a 1978 hand-colored engraving by Norma Morgan after a watercolor by John A. Ruthven. From the photo, I can see what appears to be a limited edition number (409/776) and a cursive signature located in the lower right, but I cannot verify if these are hand-signed or part of a mechanical reproduction process. The overall presentation, including the multi-layered matting and frame, appears well-maintained with no visible signs of foxing or paper degradation, though a physical inspection is required to assess the condition of the paper under the mat. My value estimate is based on the assumption that this is a period-correct, hand-colored engraving from the specified limited edition. The market for mid-to-late 20th-century wildlife prints remains stable, particularly for prominent artists like Ruthven, though demand is often localized to collectors of Americana and naturalist art. To confirm this valuation, an in-person examination by a specialist would be necessary to verify the plate mark, the texture of the ink, and the paper's watermark to distinguish it from a modern photomechanical offset lithograph. Should the work be identified as a contemporary reproduction or a non-hand-colored variant, the market value would likely decrease significantly, typically falling into the $50.00–$100.00 range. Provenance documentation or a gallery receipt from Wildlife Internationale would further support the higher end of the estimated range.