Brutalist Torch-Cut Mixed Metal Wall Sculpture by J. Underwood McMann
Fine Art - Sculpture

Brutalist Torch-Cut Mixed Metal Wall Sculpture by J. Underwood McMann

This is a significant Brutalist-style wall sculpture by artist J. Underwood McMann, characteristic of the mid-20th-century modern aesthetic, likely dating from the 1960s or 1970s. The piece is a complex multi-layered horizontal composition featuring various geometric shapes including squares, circles, triangles, and rectangular beams. It is constructed from mixed metals, primarily brass or bronze-toned steel, with distinct torch-cut edges that provide a raw, organic texture typical of the Brutalist movement. The surface exhibits a rich, multi-tonal patina with dark, scorched decorative patterns applied to many of the flat surfaces, possibly using an acid etching or fire-gilding technique. The construction is robust, utilizing a layered structural framework where smaller elements are welded onto a central lattice of heavy bars. As specified, the piece is signed J. Underwood McMann and includes a limited edition or series number, which indicates the piece's authenticity and higher production value. The condition appears consistent with its age, showing a natural developing patina and slight surface oxidation which is typical and often preferred for this style of art. The craftsmanship is evident in the dynamic use of negative space and the balanced yet chaotic arrangement of the geometric components.

Estimated Value

$4,500 - $6,500

Basic Information

Category

Fine Art - Sculpture

Appraised On

April 29, 2026

Estimated Value

$4,500 - $6,500

Additional Details Provided By Owner

User Provided Information

Signed J Underwood McMann also numbered

Item Description

This is a significant Brutalist-style wall sculpture by artist J. Underwood McMann, characteristic of the mid-20th-century modern aesthetic, likely dating from the 1960s or 1970s. The piece is a complex multi-layered horizontal composition featuring various geometric shapes including squares, circles, triangles, and rectangular beams. It is constructed from mixed metals, primarily brass or bronze-toned steel, with distinct torch-cut edges that provide a raw, organic texture typical of the Brutalist movement. The surface exhibits a rich, multi-tonal patina with dark, scorched decorative patterns applied to many of the flat surfaces, possibly using an acid etching or fire-gilding technique. The construction is robust, utilizing a layered structural framework where smaller elements are welded onto a central lattice of heavy bars. As specified, the piece is signed J. Underwood McMann and includes a limited edition or series number, which indicates the piece's authenticity and higher production value. The condition appears consistent with its age, showing a natural developing patina and slight surface oxidation which is typical and often preferred for this style of art. The craftsmanship is evident in the dynamic use of negative space and the balanced yet chaotic arrangement of the geometric components.

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