
Japanese Byobu Style Cranes and Pine Tree Lacquer Panel
This is a large-format decorative wall panel rendered in the style of a Japanese Byobu folding screen. The artwork features a traditional motif of two red-crowned cranes (tancho) set against a dark, possibly black lacquer or silk ground, flanked by a gnarled pine tree and bamboo shoots. The cranes are detailed with fine line work to represent feathers, while the pine needles and bark are executed with high-contrast gold or metallic pigmentation. The upper left corner contains vertical Japanese or Chinese calligraphic characters, likely representing a title or auspicious blessing related to longevity (a common theme for cranes and pines). The construction appears to be a multi-panel set (visible vertical seams) mounted together in a single horizontal frame. The frame features a textured, gold-flecked silk or paper brocade border. Condition-wise, the panel shows some light surface dust and minor visible wear along the seams and edges of the frame, but the central imagery remains vibrant with no significant flaking or loss of pigment visible. Based on the styling and materials, this likely dates to the mid-to-late 20th century and reflects high-quality commercial craftsmanship intended for interior decoration.
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Estimated Value
$600 - $900
Basic Information
Category
Asian Decorative Arts
Appraised On
March 1, 2026
Estimated Value
$600 - $900
Item Description
This is a large-format decorative wall panel rendered in the style of a Japanese Byobu folding screen. The artwork features a traditional motif of two red-crowned cranes (tancho) set against a dark, possibly black lacquer or silk ground, flanked by a gnarled pine tree and bamboo shoots. The cranes are detailed with fine line work to represent feathers, while the pine needles and bark are executed with high-contrast gold or metallic pigmentation. The upper left corner contains vertical Japanese or Chinese calligraphic characters, likely representing a title or auspicious blessing related to longevity (a common theme for cranes and pines). The construction appears to be a multi-panel set (visible vertical seams) mounted together in a single horizontal frame. The frame features a textured, gold-flecked silk or paper brocade border. Condition-wise, the panel shows some light surface dust and minor visible wear along the seams and edges of the frame, but the central imagery remains vibrant with no significant flaking or loss of pigment visible. Based on the styling and materials, this likely dates to the mid-to-late 20th century and reflects high-quality commercial craftsmanship intended for interior decoration.
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