Vinyl LP record, titled Art Tatum Solo Piano, Capitol Jazz Classics Vol. 3

This item is a 12-inch vinyl LP sleeve and record, which appears to be the 'Solo Piano' volume of the 'Capitol Jazz Classics' series. The cover art features a charcoal-style or pencil-sketched portrait of jazz pianist Art Tatum against a two-tone white and rust-colored background. Text in the upper left corner reads 'CAPITOL JAZZ CLASSICS VOL. 3' and 'ART TATUM SOLO PIANO' in a stylized font. A small Capitol Records logo is also visible. The item appears to be in its original plastic shrink-wrap, which shows some reflective glare and slight surface wrinkling. The bottom edge of the sleeve shows minor compression and light wear consistent with shelf storage. There is a small, unreadable white sticker or price tag remnant in the top right corner. The sketch portrays Tatum from the chest up, wearing suspenders at a piano keyboard. This mid-20th-century jazz compilation style is consistent with releases from the early 1970s, specifically under the Capitol Records label, though manufacturing dates would require inspection of the dead wax on the disc itself. The overall craftsmanship of the sleeve graphics is typical of major label jazz reissues from that era. Because provenance cannot be physically verified, this item is treated as stylistically consistent with the described commercial release.

Based on my visual assessment of the provided image, this LP appears to be a copy of Capitol Jazz Classics Vol. 3: Art Tatum Solo Piano, a reissue series commonly associated with the early 1970s. The jacket bears graphics, typography, and a Capitol Records logo consistent with that specific series. I can observe what looks like the original shrink-wrap, which often helps preserve the sleeve's condition, though I can also see some shelf wear and corner compression at the bottom. Because I am working from a photo, I cannot examine the vinyl itself to determine its play grade (MT, EX, VG), nor can I inspect the 'dead wax' for matrix numbers which would be necessary to identify the specific pressing or manufacturing plant. The reported value assumes the disc is in a condition commensurate with the jacket. While the presence of shrink-wrap suggests the item has been handled with care, I cannot verify the integrity of the record or the absence of warping without a physical inspection. Generally, the market for 1970s jazz reissues is stable but modest compared to first pressings from the 1950s. If this item were found to be a much later unauthorized reproduction or if the vinyl inside displays significant surface noise or scratches, the value would likely drop below $10. To provide a more precise valuation, an in-person examination of the vinyl surface under light and a play-test would be required to confirm the grade. Any formal authentication would rely on verifying the stamped matrix codes against known discographies.