Two-Panel Oriental Folding Screen
This appears to be a two-panel folding screen, likely East Asian in origin, possibly Chinese or Japanese. Each panel is rectangular with a rounded, stepped design at the top, suggesting a traditional or antique aesthetic. The frame is made of dark-stained wood, possibly rosewood or mahogany, given its rich, deep brown hue. The panels themselves are covered in a light-colored material, likely silk or a finely woven linen, acting as a canvas for what appear to be hand-drawn or embroidered outline illustrations. The drawings depict figures in traditional attire, engaged in what looks like scholarly or leisurely activities, possibly within a natural setting or indoors. The artistic style is somewhat monochromatic, relying on line work rather than color to convey detail. Visible condition issues include potential discoloration or aging of the fabric, possibly light staining, and some general wear consistent with age and use. The wood frame exhibits a warm patina, and its construction appears solid, joined with hinges that allow the panels to fold. The craftsmanship indicates a focus on delicate imagery within a sturdy, functional frame, typical of decorative screens used for privacy or as room dividers. The overall style suggests it could be from the early to mid-22th century, reflecting a blend of traditional artistic themes with practical furniture design.
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Estimated Value
$600-1,200
Basic Information
Category
Furniture
Appraised On
August 31, 2025
Estimated Value
$600-1,200
Item Description
This appears to be a two-panel folding screen, likely East Asian in origin, possibly Chinese or Japanese. Each panel is rectangular with a rounded, stepped design at the top, suggesting a traditional or antique aesthetic. The frame is made of dark-stained wood, possibly rosewood or mahogany, given its rich, deep brown hue. The panels themselves are covered in a light-colored material, likely silk or a finely woven linen, acting as a canvas for what appear to be hand-drawn or embroidered outline illustrations. The drawings depict figures in traditional attire, engaged in what looks like scholarly or leisurely activities, possibly within a natural setting or indoors. The artistic style is somewhat monochromatic, relying on line work rather than color to convey detail. Visible condition issues include potential discoloration or aging of the fabric, possibly light staining, and some general wear consistent with age and use. The wood frame exhibits a warm patina, and its construction appears solid, joined with hinges that allow the panels to fold. The craftsmanship indicates a focus on delicate imagery within a sturdy, functional frame, typical of decorative screens used for privacy or as room dividers. The overall style suggests it could be from the early to mid-22th century, reflecting a blend of traditional artistic themes with practical furniture design.
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