
Mid-Century Japanese Relief-Molded Ceramic Amphora Vase
This ceramic vase is a double-handled amphora-style vessel featuring a cream-white high-gloss glaze background accented by raised, periwinkle-blue floral motifs. The decoration consists of three prominent relief-molded flowers with five petals each, supported by long, slender stems that wrap around the lower body. This 'moriage-style' application gives the piece a distinctive tactile quality. Based on provided context, it was manufactured in Japan, likely during the mid-20th century (circa 1950s-1960s), a period known for exporting varied ceramic styles to the Western market. The overall silhouette is ovoid with a flared rim and two integrated loop handles. Construction appears to be slip-cast ceramic. Regarding condition, the glaze exhibits fine crazing across the surface, which is typical for Japanese ceramics of this age. There are minor imperfections in the blue glaze application, and some visible soiling near the rim and foot. Although no specific maker's mark is visible in the photograph, the craftsmanship is representative of mass-produced Japanese export ware from the post-war era. The piece reflects a transition between traditional floral motifs and simpler, more modern geometric applications.
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Estimated Value
$45 - $65
Basic Information
Category
Art Pottery / Home Decor
Appraised On
January 30, 2026
Estimated Value
$45 - $65
Additional Details Provided By Owner
User Provided Information
Made in Japan
Item Description
This ceramic vase is a double-handled amphora-style vessel featuring a cream-white high-gloss glaze background accented by raised, periwinkle-blue floral motifs. The decoration consists of three prominent relief-molded flowers with five petals each, supported by long, slender stems that wrap around the lower body. This 'moriage-style' application gives the piece a distinctive tactile quality. Based on provided context, it was manufactured in Japan, likely during the mid-20th century (circa 1950s-1960s), a period known for exporting varied ceramic styles to the Western market. The overall silhouette is ovoid with a flared rim and two integrated loop handles. Construction appears to be slip-cast ceramic. Regarding condition, the glaze exhibits fine crazing across the surface, which is typical for Japanese ceramics of this age. There are minor imperfections in the blue glaze application, and some visible soiling near the rim and foot. Although no specific maker's mark is visible in the photograph, the craftsmanship is representative of mass-produced Japanese export ware from the post-war era. The piece reflects a transition between traditional floral motifs and simpler, more modern geometric applications.
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