
Paul César Helleu, Portrait of a Seated Lady (Trois Crayons Drawing)
This is a large-scale original drawing executed in the 'trois crayons' (three chalks) technique, attributed to the renowned Belle Époque artist Paul César Helleu (1859–1927). The work features a seated female figure, likely an elegant Parisian socialite, rendered with delicate red, black, and white chalk on a neutral, possibly toned, paper. The composition showcases the artist's characteristic fluid, energetic line work and mastery of female portraiture. The figure is depicted in a reclining or seated pose, wearing what appears to be a fashionable period dress. The use of red (sanguine) highlights the skin tones, while black chalk defines the structure and contours, and white provides luminous highlights to the fabric and complexion. The drawing is matted and housed in a classic gilded wooden frame. Regarding condition, there appears to be slight paper toning consistent with age (Late 19th/Early 20th century). The framing suggests it has been preserved under glass, protecting the friable chalk medium. The craftsmanship reflects the height of French Impressionist-adjacent portraiture, noted for its 'élégance' and spontaneity. Helleu's works are highly collectible for their depiction of the high society of the Gilded Age.
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Estimated Value
$12,000 - $18,000
Basic Information
Category
Fine Art - Original Drawings and Works on Paper
Appraised On
March 11, 2026
Estimated Value
$12,000 - $18,000
Additional Details Provided By Owner
User Provided Information
grand dessin au trois crayons de Helleu
Item Description
This is a large-scale original drawing executed in the 'trois crayons' (three chalks) technique, attributed to the renowned Belle Époque artist Paul César Helleu (1859–1927). The work features a seated female figure, likely an elegant Parisian socialite, rendered with delicate red, black, and white chalk on a neutral, possibly toned, paper. The composition showcases the artist's characteristic fluid, energetic line work and mastery of female portraiture. The figure is depicted in a reclining or seated pose, wearing what appears to be a fashionable period dress. The use of red (sanguine) highlights the skin tones, while black chalk defines the structure and contours, and white provides luminous highlights to the fabric and complexion. The drawing is matted and housed in a classic gilded wooden frame. Regarding condition, there appears to be slight paper toning consistent with age (Late 19th/Early 20th century). The framing suggests it has been preserved under glass, protecting the friable chalk medium. The craftsmanship reflects the height of French Impressionist-adjacent portraiture, noted for its 'élégance' and spontaneity. Helleu's works are highly collectible for their depiction of the high society of the Gilded Age.
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