Framed Waterfowl Festival Print after David Maass (unauthenticated)

This is a framed poster or print featuring a wildlife art scene of ducks taking flight over choppy water with marsh grass. The piece is presented behind glass in a simple metallic frame with an off-white or light gray mat border. The central image depicts several ducks launching from and landing in water under a dramatic, cloudy sky, with a flock of birds visible in the background. Prominently printed in large, stylized brown lettering at the top is the text reading 'Maass'. Below the central artwork, additional text reads 'Waterfowl Festival', followed by 'EASTON, MARYLAND' and the dates 'NOVEMBER 14, 15, 16, 1986'. At the bottom center, there is a circular logo featuring a flying duck or goose. The physical construction appears to be a standard commercial poster printing on paper stock, typical of promotional festival art from the 1980s. The overall visual evidence is consistent with a mass-produced or limited-edition festival poster rather than an original painting, though the actual printing process cannot be fully determined through the glass and photographic glare. The item shows minor signs of age on the matting and frame, but the print appears generally intact. The attribution to Maass rests on the large printed name at the top of the poster, which is clearly legible in the image.

Based on what I can see in the photograph, this item is a framed promotional poster or print for the 1986 Waterfowl Festival in Easton, Maryland, bearing text referencing wildlife artist David Maass. The piece features a waterfowl scene under glass in a simple metallic frame with a light gray mat. Because I am evaluating this from a photograph only, I cannot verify the exact printing process, paper stock quality, or the presence of any publisher markings that might be hidden beneath the matting. The attribution to Maass is treated here as a working assumption based on the prominent printed lettering, rather than a confirmed autograph or hand-signed edition. Festival posters of this type and era generally trade as decorative collectibles rather than high-value fine art prints. The estimated value range of $50 to $100 reflects typical secondary market demand for 1980s wildlife festival posters in similar framed condition. If physical inspection were to reveal that this is a rare signed and numbered limited-edition print rather than a standard commercial poster, the value could adjust upward; conversely, if it is determined to be a later modern reproduction or of lesser poster quality, the value would trend toward the lower end or below this range. To establish a more precise evaluation and to explore potential authentication, an in-person examination by a qualified paper conservator or prints specialist would be necessary to inspect the medium, paper texture, and overall condition free from glass and framing restraints.