Jean Jansem Original Lithograph of Seated Nude Woman

This is a significant original lithograph by the acclaimed French-Armenian artist Jean Jansem (1920–2013), known for his melancholic and linear artistic style. The work measures approximately 54cm in width and 64cm in length, presented in a contemporary black frame with a professional architectural white mat. The composition features a seated female figure in profil perdu, leaning her head on the back of a spindles-style chair with woven rushes. The color palette is understated, utilizing muted earth tones, pale greens, and grisaille washes, which are characteristic of Jansem’s aesthetic. The artist's signature is visible in the lower right margin, and what appears to be an edition numbering is located in the lower left corner. The line work is delicate yet expressive, reflecting the post-war 'Misérabilisme' movement. The physical condition appears excellent with no visible foxing, water damage, or significant fading, though the paper edges are hidden by the matting. The craftsmanship is evident in the nuanced layering of lithographic ink, capturing the textures of the hair and the wooden chair. This piece likely dates from the late 20th century, a period during which Jansem gained international recognition for his poignant portrayals of the human condition.

I have virtually examined this original lithograph attributed to Jean Jansem. Measuring 54cm x 64cm, the work exhibits the melancholic 'Misérabilisme' aesthetic central to Jansem's oeuvre. The composition’s delicate line work and muted palette—heavy in earth tones and grisaille—are consistent with his mid-to-late career output. Visually, the print appears to be in excellent condition; there is no evidence of chromatic fading from UV exposure or acidity-related foxing. However, because the matting covers the sheet edges, I cannot inspect for deckle edges or hinge-tape stains which impact secondary market value. Jansem remains a staple in the French-Armenian art market, with high demand in France and Japan. Comparables for signed, limited-edition lithographs of this scale typically realize between $1,000 and $2,000 at auction, depending on the edition size and the specific subject’s poignancy. Figures in profile leaning on chairs are a recurring, desirable theme in his work, elevating this piece above his more abstract or landscape-focused prints. Authentication via digital image has inherent limitations. My valuation assumes the signature and numbering are hand-applied in pencil rather than printed. A definitive authentication would require an in-person inspection to verify the paper’s watermark (commonly Arches or Rives BFK) and the presence of a 'bite' or ink saturation characteristic of true stone lithography. I would also recommend reviewing provenance documentation or a gallery label from a reputable dealer of the School of Paris to solidify its chain of ownership. Without physical inspection, I cannot rule out high-quality photomechanical reproductions, though the ink layering described suggests an original graphic work.