
Landscape of Ouro Preto by Alberto da Veiga Guignard
This item is an oil on wood or canvas painting attributed to the renowned Brazilian artist Alberto da Veiga Guignard, dated 1959. This piece depicts a stylized, lyrical landscape of Ouro Preto, a historical city in Minas Gerais, Brazil. The artwork is executed in Guignard's signature Modernist 'naive' style, characterized by a dreamlike atmosphere, floating perspective, and delicate brushwork. The color palette is dominated by soft greens, earthy browns, and a luminous blue sky filled with wispy, painterly clouds. The composition features white colonial houses with terracotta roofs nestled among rolling hills and lush vegetation, including prominent palm trees. A distinctive colonial church with twin towers sits high on a ridge to the left. The artist’s signature and the date '1959' are clearly visible in the upper right quadrant in dark script. The work is housed in a substantial, multi-tiered vintage wooden frame with gilt accents and a linen-textured inner mat or liner. The frame shows some signs of age-appropriate wear and slight separation at the mitered corners. The painting surface appears relatively stable, though some minor craquelure or surface dirt may be present consistent with a mid-20th-century piece. Guignard's landscapes from this period are highly sought after for their poetic representation of the Brazilian hinterland, reflecting a unique fusion of European technique and deeply local subject matter.
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Estimated Value
$450,000 - $650,000
Basic Information
Category
Fine Art - Painting
Appraised On
April 1, 2026
Estimated Value
$450,000 - $650,000
Additional Details Provided By Owner
User Provided Information
Guignard
Item Description
This item is an oil on wood or canvas painting attributed to the renowned Brazilian artist Alberto da Veiga Guignard, dated 1959. This piece depicts a stylized, lyrical landscape of Ouro Preto, a historical city in Minas Gerais, Brazil. The artwork is executed in Guignard's signature Modernist 'naive' style, characterized by a dreamlike atmosphere, floating perspective, and delicate brushwork. The color palette is dominated by soft greens, earthy browns, and a luminous blue sky filled with wispy, painterly clouds. The composition features white colonial houses with terracotta roofs nestled among rolling hills and lush vegetation, including prominent palm trees. A distinctive colonial church with twin towers sits high on a ridge to the left. The artist’s signature and the date '1959' are clearly visible in the upper right quadrant in dark script. The work is housed in a substantial, multi-tiered vintage wooden frame with gilt accents and a linen-textured inner mat or liner. The frame shows some signs of age-appropriate wear and slight separation at the mitered corners. The painting surface appears relatively stable, though some minor craquelure or surface dirt may be present consistent with a mid-20th-century piece. Guignard's landscapes from this period are highly sought after for their poetic representation of the Brazilian hinterland, reflecting a unique fusion of European technique and deeply local subject matter.
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