Southwestern Landscape Painting with Figures

This is an oil painting depicting a Southwestern landscape scene, rendered in a style that suggests impasto techniques and possibly an impressionistic or post-impressionistic influence, with visible brushstrokes creating texture. The composition features a prominent adobe-style structure in the upper right, with a dark, open window revealing an interior or deep recess. A reddish-brown pathway or dirt road winds from the foreground towards the middle ground. To the left, dense, multi-colored foliage is depicted with thick applications of paint, incorporating shades of green, blue, brown, and ochre, giving it a somewhat abstract or mosaic-like quality. In the mid-ground, several small figures are visible, possibly human and animal, standing or walking along the path. These figures are rendered with less detail than the surrounding landscape elements but add a sense of narrative and scale to the scene. The background reveals a range of mountains under what appears to be a warm, possibly sunset or sunrise sky, transitioning from lighter yellow-orange hues to deeper mauves and purples in the distance. The painting is housed within a substantial, ornate gilded frame. The frame features a classic design with repeating decorative elements, likely molded or carved, demonstrating a traditional aesthetic. The gold finish appears aged, with some areas possibly showing wear or a deliberate antiqued patina, characteristic of frames from the mid-20th century. The inner edge of the frame has an additional thin, lighter colored liner, possibly linen or a painted wood strip, providing a visual separation between the main frame and the artwork itself. The overall condition appears good, with no obvious signs of significant damage or repair visible from the provided image. The visible texture of the paint suggests a focus on light and color interpretation over precise realistic detail. The piece likely dates from the mid to late 20th century, consistent with the style of painting and framing.