Fragment of a Renaissance Fresco Depicting Three Men in Profile

This appears to be a framed fragment of a fresco or a painting executed in a fresco-like style, depicting three male figures in profile, indicative of late medieval or early Renaissance portraiture. The image focuses on the busts and heads of the men, with faces rendered in pale skin tones and subtle shading. Each figure wears distinct headwear and period attire. The figure on the far left, an older man, wears a voluminous, bright red cap common in the Italian Renaissance, possibly a 'beretta' or 'cappa'. He has white hair peeking from under his cap and a slightly furrowed brow. The middle figure, younger, sports a lighter-colored, possibly striped or textured, round cap. His garment features a patterned brocade-like fabric. The man on the far right also wears a similar vivid red cap and a dark garment with an intricate, possibly embroidered or brocaded, green and black pattern, with a red collar under it. The background behind the figures is indistinct, suggesting either an indoor setting or a stylized landscape, with hints of foliage visible behind the rightmost figure. The overall condition shows significant signs of age and wear. The colors, while still vibrant in areas like the red caps, display fading and discoloration consistent with old pigments and exposure. There are visible cracks, abrasions, and areas of paint loss across the surface, particularly noticeable on the left-most figure's dark garment and in the background. The surface also exhibits a dullness and accumulation of grime or varnish degradation, obscuring some details. The item is housed in an antique wooden frame, likely gilt, which also shows considerable wear and deterioration, with chips, losses to the gesso and gilding, and a general aged patina, particularly along the inner and outer edges. The craftsmanship, though aged, suggests a skilled hand, typical of the stylistic conventions of Italian Renaissance art, particularly portraiture and narrative scene painting, and likely dates from the 14th to 16th centuries. The composition, featuring multiple profiles, is reminiscent of narrative friezes or parts of larger religious or secular historical scenes found in frescoes of the era. The limited background information suggests it could be a section of a much larger work, carefully removed and re-framed.