Signed and Numbered Limited Edition Print by McLaughlin

This item is a limited edition fine art print, professionally matted and framed. The artwork features an impressionistic or watercolor-style composition with a palette of earth tones, including rust, ochre, sienna, and charcoal, possibly depicting a golfer or similar sports figure given the context of the artist's known work. A critical identifying feature is the pencil-written numbering '139/2250' located in the upper left margin of the paper, indicating a large production run for the edition. The print is housed under glass and double-matted; the inner mat is a deep burgundy/maroon fillet which provides a sharp contrast, while the outer mat is a wide, warm mustard or gold-toned board. The frame is constructed of stained dark wood with a visible grain and a traditional bevel. Regarding condition, the frame shows some minor surface abrasions and dust accumulation consistent with age, likely dating to the late 20th century (1980s-1990s). The print appears slightly wavy under the mat, which may indicate it is not fully laid flat or has reacted to humidity. Based on the artist's name provided, this is likely a work by the popular sports artist Wayland Moore or more likely a similar mass-market contemporary like Jan McLaughlin, known for commercial lithography. The craftsmanship of the framing is professional-grade, suggesting it was intended for office or home gallery display.

I have examined the digital representations of this limited edition print attributed to McLaughlin. The '139/2250' numbering confirms a very large commercial edition, which significantly impacts rarity and high-end collectability. The impressionistic style and sports-themed subject matter align with decorative lithographs popular in the late 20th century. My visual inspection notes professional framing with double matting, though the observed waviness (cockling) of the paper suggests potential moisture exposure or an insufficient mounting technique, which slightly devalues the piece. The market for mass-produced contemporary lithography currently shows high supply and moderate demand, with similar works by commercial artists such as Jan McLaughlin selling primarily as decorative furniture pieces rather than fine art investments. Value is largely driven by the quality of the frame and the subject's appeal to sports enthusiasts. Limits of this appraisal: Authenticity of the signature and the print medium (e.g., offset lithograph vs. serigraph) cannot be definitively verified via image. A physical inspection is required to check for 'dots' under magnification, confirm the acid-free quality of the matting, and inspect the paper's watermark. To fully authenticate this work, original provenance, a gallery Certificate of Authenticity (COA), or comparison against a known artist catalogue raisonn$$ would be necessary.