Auguste Renoir Spring Flowers Print
Art Reproductions & Prints

Auguste Renoir Spring Flowers Print

This item is a large-format color print reproduction of Pierre-Auguste Renoir's 1864 oil painting 'Spring Flowers' (Fleurs de Printemps). The image depicts a lush, overflowing arrangement of white peonies, lilacs, and wildflowers in a blue and white patterned ceramic vase, set against a dark, moody background. The print is rendered on a heavy-weight cream-colored paper stock. In terms of condition, there is significant visible wear including creasing at the upper left corner, several small punctures or holes throughout the central image area, and tanning or 'foxing' consistent with age. Notable text in Hebrew is visible along the bottom margin, suggesting this was part of an Israeli publication or educational portfolio. The overall presentation is that of an unframed, vintage art reproduction rather than an original work of art. The print shows evidence of handling wear, edge fraying on the supporting cardboard backing, and tape residue on the right side. The color palette remains relatively vibrant despite the surface damage, showcasing the Impressionist play of light and shadow.

Estimated Value

$15-30

Basic Information

Category

Art Reproductions & Prints

Appraised On

January 14, 2026

Estimated Value

$15-30

Additional Details Provided By Owner

User Provided Information

י

Item Description

This item is a large-format color print reproduction of Pierre-Auguste Renoir's 1864 oil painting 'Spring Flowers' (Fleurs de Printemps). The image depicts a lush, overflowing arrangement of white peonies, lilacs, and wildflowers in a blue and white patterned ceramic vase, set against a dark, moody background. The print is rendered on a heavy-weight cream-colored paper stock. In terms of condition, there is significant visible wear including creasing at the upper left corner, several small punctures or holes throughout the central image area, and tanning or 'foxing' consistent with age. Notable text in Hebrew is visible along the bottom margin, suggesting this was part of an Israeli publication or educational portfolio. The overall presentation is that of an unframed, vintage art reproduction rather than an original work of art. The print shows evidence of handling wear, edge fraying on the supporting cardboard backing, and tape residue on the right side. The color palette remains relatively vibrant despite the surface damage, showcasing the Impressionist play of light and shadow.

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