
Three to the Dome by Lucien, 1993
This is an original mixed-media painting on canvas, completed in 1993 by the artist Lucien. The work is heavily inspired by Neo-Expressionism and reflects a style closely associated with the New York art scene of the late 20th century, specifically evoking the influence of Jean-Michel Basquiat. The composition features a central, stylized black figure with red-rimmed eyes and a wide, grinning mouth full of square teeth. The figure is flanked by vibrant yellow background panels containing repetitive text, including the word 'KING' and several 'X' marks. In the foreground, the word 'FATHER' is written multiple times in bold white gestural paint, overlapping a chaotic structure of red grid-like lines. The materials appear to include oil or acrylic paint, perhaps oil stick or grease pencil, applied with a thick impasto technique that suggests high energy and tactile depth. The color palette is primary and aggressive, utilizing stark reds, yellows, and blacks against a washed-out blue and white base. The condition shows intentional raw edges and a weathered aesthetic appropriate for the grit of the period. The craftsmanship is characterized by its intentional primitive or 'outsider' quality, intended to convey raw emotion and social commentary. There is light surface texture consistent with the age of the medium and the layering of various pigments.
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Estimated Value
$4,500 - $7,000
Basic Information
Category
Fine Art - Contemporary Painting
Appraised On
March 22, 2026
Estimated Value
$4,500 - $7,000
Additional Details Provided By Owner
User Provided Information
Three to the dome by Lucien, 1993
Item Description
This is an original mixed-media painting on canvas, completed in 1993 by the artist Lucien. The work is heavily inspired by Neo-Expressionism and reflects a style closely associated with the New York art scene of the late 20th century, specifically evoking the influence of Jean-Michel Basquiat. The composition features a central, stylized black figure with red-rimmed eyes and a wide, grinning mouth full of square teeth. The figure is flanked by vibrant yellow background panels containing repetitive text, including the word 'KING' and several 'X' marks. In the foreground, the word 'FATHER' is written multiple times in bold white gestural paint, overlapping a chaotic structure of red grid-like lines. The materials appear to include oil or acrylic paint, perhaps oil stick or grease pencil, applied with a thick impasto technique that suggests high energy and tactile depth. The color palette is primary and aggressive, utilizing stark reds, yellows, and blacks against a washed-out blue and white base. The condition shows intentional raw edges and a weathered aesthetic appropriate for the grit of the period. The craftsmanship is characterized by its intentional primitive or 'outsider' quality, intended to convey raw emotion and social commentary. There is light surface texture consistent with the age of the medium and the layering of various pigments.
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