Dolphin sculpture on wave, attributed to John Perry (not authenticated)

This is a sculptural figurine depicting two dolphins leaping over a stylized crashing ocean wave. The sculpture is composed of a material that resembles the polymer-based medium commonly used by California studio artists, featuring smooth, matte off-white or cream-colored dolphins mounted atop a textured wave base colored in shades of blue and white to simulate ocean foam and water. The two dolphins are captured in mid-air, with one larger adult dolphin positioned above and a smaller calf positioned slightly below and forward, creating a dynamic sense of movement. The overall construction appears to be solid and cast in sections, then assembled. No maker's mark, signature, or date is directly legible from the primary photographic angle provided, and the piece remains unverified in person. The owner provides unverified context identifying the piece as 'Blue wave dolphins John Perry 1999', which aligns stylistically with the artist's well-known production of marine life sculptures utilizing burl wood or simulated natural bases, though this user-supplied attribution requires physical inspection of the base for confirmation. The piece displays generally good visual condition with no major structural damage or repairs visible in the image, showing a clean finish consistent with late 20th-century decorative coastal art.

Based on what I can see in the provided photograph, this is a sculptural figurine depicting two dolphins leaping over a stylized crashing ocean wave, measuring as a mid-sized decorative piece. The owner identifies this as 'Blue wave dolphins John Perry 1999'. I cannot verify from a photo whether this is an autograph work by the artist, as signatures or marks are not clearly legible from the primary visual angle, and I would need physical inspection to confirm materials and markings. The sculpture is composed of a smooth polymer-like medium for the dolphins mounted on a textured blue and white wave base, displaying generally good visual condition with no major structural damage or repairs visible. Assuming the attribution to John Perry is correct, comparable marine life sculptures of this type and size typically command a secondary market value in the $150 to $300 range, supported by steady demand among collectors of late 20th-century coastal art. To confirm authenticity and support the assumed attribution, an in-person examination by a qualified expert or specialist to inspect base markings, casting quality, and material composition would be necessary. If the piece turns out to be an unattributed copy, reproduction, or made 'in the style of' the artist rather than an original studio production, the value would decrease significantly, typically falling into the $40 to $80 range as a generic decorative item.