Abstract Cubist/Expressionist Painting of Figures

This is an oil painting or mixed media piece depicting multiple abstracted human figures, likely in a dynamic or intermingled composition. The style hints at Cubist fragmentation and Expressionist distortion, characterized by simplified forms, bold outlines, and a muted, earthy color palette. The primary colors used are shades of olive green, pale yellow, and a neutral beige or off-white, suggesting a deliberate restriction of color choices to emphasize form and texture. The figures appear to be both nude and partially clothed, with some wearing yellow garments that contrast subtly with the predominantly green and gray tones of the bodies and background. The painting exhibits significant impasto, with thick layers of paint creating a heavily textured, almost sculptural surface that adds depth and tactile quality to the artwork. This pronounced texture is a key feature, indicating a robust application of paint and possibly a palette knife technique. The lines defining the figures are strong and dark, providing clear separation and definition amidst the layered colors. There appears to be a signature in the bottom right corner, which is somewhat indistinct but might read 'Yong-Tien' or a similar variation, indicating a potential artist. The painting is housed within a simple, utilitarian wooden frame, which shows some signs of age and wear consistent with handling over time, including minor scuffs or dents. The overall condition of the painting itself appears relatively stable, with no obvious signs of cracking or paint loss visible in the provided image, though a closer inspection would be needed to confirm. The aesthetic suggests an influence from early 20th-century avant-garde movements, placing its estimated age perhaps from the mid-20th century onwards. The craftsmanship is evident in the confident brushwork and the deliberate construction of the figures, despite their abstraction.