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Anglo-Indian Moorish Style Bone Inlay Mirror
This is a wall-mounted mirror featuring a distinct Moorish arched frame, indicative of the Anglo-Indian or Middle Eastern decorative style, likely dating from the mid-to-late 20th century. The frame is constructed from a dark wood base, possibly teak or rosewood, and is extensively decorated with hand-inlaid materials. The primary decorative elements include rectangular panels of polished bone or camel bone in natural cream and light amber tones, creating a variegated mosaic effect. Thin borders of brass wire or metal filigree separate the sections, adding a metallic luster and architectural definition. An inner border features circular bone inlays, resembling a pearl-and-bead motif, which follows the delicate ogival or horseshoe arch at the top. The craftsmanship shows high detail with tight joinery, though minor irregularities in the inlay placement suggest hand-finishing rather than mass machine production. The condition appears fair to good: there is visible age-related patina on the metal elements, and the bone panels show natural variations in color. No significant chips or missing inlay sections are immediately apparent, though there is some light wear at the corners and edges commensurate with age. This piece reflects the 'Exoticism' movement and is a fine example of traditional intarsia techniques adapted for domestic decor.
Estimated Value
$450 - $700
Basic Information
Category
Home Decor / Furniture
Appraised On
May 15, 2026
Estimated Value
$450 - $700
Item Description
This is a wall-mounted mirror featuring a distinct Moorish arched frame, indicative of the Anglo-Indian or Middle Eastern decorative style, likely dating from the mid-to-late 20th century. The frame is constructed from a dark wood base, possibly teak or rosewood, and is extensively decorated with hand-inlaid materials. The primary decorative elements include rectangular panels of polished bone or camel bone in natural cream and light amber tones, creating a variegated mosaic effect. Thin borders of brass wire or metal filigree separate the sections, adding a metallic luster and architectural definition. An inner border features circular bone inlays, resembling a pearl-and-bead motif, which follows the delicate ogival or horseshoe arch at the top. The craftsmanship shows high detail with tight joinery, though minor irregularities in the inlay placement suggest hand-finishing rather than mass machine production. The condition appears fair to good: there is visible age-related patina on the metal elements, and the bone panels show natural variations in color. No significant chips or missing inlay sections are immediately apparent, though there is some light wear at the corners and edges commensurate with age. This piece reflects the 'Exoticism' movement and is a fine example of traditional intarsia techniques adapted for domestic decor.
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