Josef Albers, 'Homage to the Square', Screenprint
Fine Art - Prints & Multiples

Josef Albers, 'Homage to the Square', Screenprint

This item is an original screenprint by the renowned modernist artist Josef Albers, dating to 1969. The artwork is part of his seminal 'Homage to the Square' series, characterized by a composition of three nested squares in varying shades of red and burgundy. The central square is a deep maroon, surrounded by a middle square of a lighter crimson, which in turn is bordered by a vibrant orange-red outer square. This arrangement explores the interaction of colors and the illusion of depth. The image measures approximately 8 1/4 x 8 1/4 inches, set within a wide white mat and a simple black modernist frame. Notable features include the flat, even application of ink typical of high-quality screenprinting and clear geometric precision. Condition-wise, the print appears well-preserved within its frame, though some minor foxing or light spotting is visible on the surrounding white mat board and potentially the paper margins. Tiny markings such as 'A' or '1969' on the lower margins are consistent with Albers' editioned prints. The piece represents 20th-century geometric abstraction and the Bauhaus influence on color theory, showcasing professional craftsmanship in printmaking.

Estimated Value

$4,000 - $6,000

Basic Information

Category

Fine Art - Prints & Multiples

Appraised On

March 2, 2026

Estimated Value

$4,000 - $6,000

Additional Details Provided By Owner

User Provided Information

Albers 8 1/4 x 8/14 1969

Item Description

This item is an original screenprint by the renowned modernist artist Josef Albers, dating to 1969. The artwork is part of his seminal 'Homage to the Square' series, characterized by a composition of three nested squares in varying shades of red and burgundy. The central square is a deep maroon, surrounded by a middle square of a lighter crimson, which in turn is bordered by a vibrant orange-red outer square. This arrangement explores the interaction of colors and the illusion of depth. The image measures approximately 8 1/4 x 8 1/4 inches, set within a wide white mat and a simple black modernist frame. Notable features include the flat, even application of ink typical of high-quality screenprinting and clear geometric precision. Condition-wise, the print appears well-preserved within its frame, though some minor foxing or light spotting is visible on the surrounding white mat board and potentially the paper margins. Tiny markings such as 'A' or '1969' on the lower margins are consistent with Albers' editioned prints. The piece represents 20th-century geometric abstraction and the Bauhaus influence on color theory, showcasing professional craftsmanship in printmaking.

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