
Josef Albers, 'Homage to the Square', Screenprint
This item is an original screenprint by the renowned modernist artist Josef Albers, dating to 1969. The artwork is part of his seminal 'Homage to the Square' series, characterized by a composition of three nested squares in varying shades of red and burgundy. The central square is a deep maroon, surrounded by a middle square of a lighter crimson, which in turn is bordered by a vibrant orange-red outer square. This arrangement explores the interaction of colors and the illusion of depth. The image measures approximately 8 1/4 x 8 1/4 inches, set within a wide white mat and a simple black modernist frame. Notable features include the flat, even application of ink typical of high-quality screenprinting and clear geometric precision. Condition-wise, the print appears well-preserved within its frame, though some minor foxing or light spotting is visible on the surrounding white mat board and potentially the paper margins. Tiny markings such as 'A' or '1969' on the lower margins are consistent with Albers' editioned prints. The piece represents 20th-century geometric abstraction and the Bauhaus influence on color theory, showcasing professional craftsmanship in printmaking.
AI-Generated Appraisal Disclaimer
Estimated Value
$4,000 - $6,000
Basic Information
Category
Fine Art - Prints & Multiples
Appraised On
March 2, 2026
Estimated Value
$4,000 - $6,000
Additional Details Provided By Owner
User Provided Information
Albers 8 1/4 x 8/14 1969
Item Description
This item is an original screenprint by the renowned modernist artist Josef Albers, dating to 1969. The artwork is part of his seminal 'Homage to the Square' series, characterized by a composition of three nested squares in varying shades of red and burgundy. The central square is a deep maroon, surrounded by a middle square of a lighter crimson, which in turn is bordered by a vibrant orange-red outer square. This arrangement explores the interaction of colors and the illusion of depth. The image measures approximately 8 1/4 x 8 1/4 inches, set within a wide white mat and a simple black modernist frame. Notable features include the flat, even application of ink typical of high-quality screenprinting and clear geometric precision. Condition-wise, the print appears well-preserved within its frame, though some minor foxing or light spotting is visible on the surrounding white mat board and potentially the paper margins. Tiny markings such as 'A' or '1969' on the lower margins are consistent with Albers' editioned prints. The piece represents 20th-century geometric abstraction and the Bauhaus influence on color theory, showcasing professional craftsmanship in printmaking.
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