Fenton Burmese Glass Hand Bell with Holly and Berry Motif

This is a vintage hand bell crafted from Burmese glass, a specialty art glass produced by the Fenton Art Glass Company, likely dating to the late 20th century. The piece exhibits the classic heat-sensitive Burmese coloration, transitioning from a delicate canary yellow at the base to a soft, salmon-pink blush at the upper portions of the handle. The bell features a molded body with four oval medallions or panels separated by raised vertical ridges. Two of these panels are hand-painted with a festive 'Holly and Berry' motif, consisting of green textured leaves and small red berries. The long, slender handle is molded with a twisted or spiral satin texture terminating in an almond-shaped finial. The overall finish is a soft, non-reflective satin or 'acid-etched' texture characteristic of Fenton's high-quality craftsmanship. In terms of condition, the glass appears structurally sound with no visible chips, cracks, or deep surface scratches. There is minor evidence of shelf wear on the bottom rim and some faint darkening or dust accumulation in the recessed areas of the molded design, which is typical for aged satin-finished glass. The hand-painted enamel shows good preservation with minimal loss to the pigments. While no logo is visible in the primary photo, such pieces typically bear an oval 'Fenton' stamp in the glass or a companion paper label if it were in mint original condition. This item is a quintessential example of mid-to-late 20th-century American decorative art glass.

Upon direct visual examination of the digital images provided, I have assessed this Fenton Burmese hand bell featuring the hand-painted 'Holly and Berry' motif. The item displays the expected characteristics of genuine Fenton Burmese glass, specifically the delicate salmon-to-yellow gradient achieved through the reheating of gold-infused uranium glass. The satin finish appears consistent with the acid-etching processes used in the Williamstown, West Virginia factory during the 1970s and 1980s. The hand-painted enamel remains vibrant, showing little to no 'flea-biting' or pigment loss, which is common in pieces that have been handled frequently. Structurally, the rim and delicate finial appear free of impact chips. The current market for late 20th-century Fenton art glass is stable but saturated. Burmese glass remains a 'staple' collectible for Fenton enthusiasts, though seasonal holiday motifs like holly and berries are somewhat more common than limited-edition floral patterns. Comparables for signed, hand-painted Burmese bells typically realize between $40 and $75 in online auctions and specialized antique malls. The lack of a visible 'Fenton' logo in the provided images suggests it may be an earlier piece or that the logo is integrated into the bottom rim, which slightly affects immediate verification. Final authentication via image is limited by the inability to perform a UV light test (to confirm the green-yellow fluorescence of the uranium glass) or to physically verify the 'Fenton' embossed script or artist signature usually found on the interior. A full valuation would require physical inspection of the clapper assembly to ensure it is original and a tactile check for internal fractures. Provenance documentation or an original silver foil label would push the value toward the higher end of the range.