AI Appraisal Estimate

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Photo and notes provided by the user — not generated by AI

Submitted item photo
Submitted photo · June 6, 2026

User's notes

matt summers 1973, 3/200, signed

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

Note

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

·Not independently authenticated·Verify before acting

San Francisco Cable Car Cityscape by Matt Summers (1973)

Fine Art Prints

AI Estimated Value

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$150 - $250

As of June 6, 2026

AI Item Analysis

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This item is a limited edition print by artist Matt Summers, dated 1973. The artwork depicts a classic San Francisco street scene featuring a prominent cable car in the foreground with a suspension bridge, likely the Golden Gate or Bay Bridge, rising in the background. Executed in a fine-line graphic style, the piece utilizes a monochromatic or limited color palette on paper. It is an editioned work, noted as number 3 out of only 200 (marked 3/200), and bears the artist’s signature. The work is professionally matted in a dark grey or charcoal mat board that provides a stark contrast to the light background of the print. It is housed in a mid-century style wooden frame with visible grain and a warm brown finish. The composition displays strong illustrative quality and 1970s aesthetic. Condition appears fair to good, though potential yellowing of the paper and minor scuffing on the wooden frame are visible. The low edition number (3/200) indicates this was one of the earliest pulls in the series, often preferred by collectors for plate clarity.

AI Appraisal Report

·AI can make mistakes·Verify before acting
I have examined the limited edition print by Matt Summers, dated 1973. This piece, numbered 3/200, exhibits the hallmark graphic style of the early 1970s San Francisco art scene. The low edition number is a positive attribute, suggesting high plate clarity. Based on visual inspection of the digital assets, the signature and numbering appear consistent with known examples of Summers' work from this period. The condition is rated as fair to good; I note visible toning/yellowing of the paper substrate, likely due to acidic mounting materials common in the 70s. The frame shows minor peripheral scuffs consistent with age. The market for mid-century regional prints remains steady but niche. While Summers is a recognized name for San Francisco nostalgia, he does not currently command the high premiums associated with blue-chip printmakers. Value is primarily driven by the '3/200' designation and the perennial popularity of cable car motifs. The valuation accounts for the necessary conservation work required to stabilize the paper yellowing. Important Note: This assessment is based on digital imagery. A definitive authentication requires a physical inspection to verify the paper's watermark, ink depth, and to confirm the signature isn't a mechanical reproduction. Testing the acidity of the matting and inspecting the print out of the frame for hidden foxing or tape residue is essential for a final valuation. Provenance documentation, such as a gallery receipt from the 1970s, would further solidify its market position.

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