
Modernist Abstract Lenticular Mixed Media Print
This is a framed modernist abstract work of art, dated '81 next to a signature that appears to read 'EDONAS' in the lower right quadrant of the image. The piece features a complex, multi-layered composition using a vibrant primary color palette of red, blue, black, and white. The artwork utilizes a lenticular or vertical-slat technique where a series of vertical textured strips are layered over a bold geometric background, creating a sense of depth and mechanical rhythm. Centrally, a large red field serves as the backdrop, while circular and angular forms in cyan and black emerge through the textured vertical mask. The construction appears to be a mixed media print or silk-screen on paper, mounted within a double matting system consisting of a dark grey inner mat and a wider off-white outer mat. The frame is a minimalist thin metal profile, likely aluminum, characteristic of late 20th-century gallery framing. The condition appears stable, though there is visible debris caught behind the glass and potential foxing or spotting on the lower white matting area. This 1981 piece reflects the late-modernist interest in geometric abstraction and industrial textures.
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Estimated Value
$400-$650
Basic Information
Category
Visual Arts - Prints
Appraised On
May 6, 2026
Estimated Value
$400-$650
Item Description
This is a framed modernist abstract work of art, dated '81 next to a signature that appears to read 'EDONAS' in the lower right quadrant of the image. The piece features a complex, multi-layered composition using a vibrant primary color palette of red, blue, black, and white. The artwork utilizes a lenticular or vertical-slat technique where a series of vertical textured strips are layered over a bold geometric background, creating a sense of depth and mechanical rhythm. Centrally, a large red field serves as the backdrop, while circular and angular forms in cyan and black emerge through the textured vertical mask. The construction appears to be a mixed media print or silk-screen on paper, mounted within a double matting system consisting of a dark grey inner mat and a wider off-white outer mat. The frame is a minimalist thin metal profile, likely aluminum, characteristic of late 20th-century gallery framing. The condition appears stable, though there is visible debris caught behind the glass and potential foxing or spotting on the lower white matting area. This 1981 piece reflects the late-modernist interest in geometric abstraction and industrial textures.
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