Salvador Dal� - 'The Appearance of Beatrice' from The Divine Comedy series
Fine Art - Prints & Multiples

Salvador Dal - 'The Appearance of Beatrice' from The Divine Comedy series

This artwork is a woodcut lithograph from Salvador Dal's extensive suite illustrating Dante Alighieri's 'The Divine Comedy,' specifically belonging to the Purgatory section. The piece features a central group of ethereal, elongated figures executed in a surrealist style characteristic of Dal's 'nuclear mysticism' period. The color palette focuses on soft washes of blue, muted greens, and pale yellows, with a striking orange-red mantle on one figure. The paper appears to be a heavy cream or white art stock. Notable markings include a printed signature 'Dal' at the bottom left, a large black reproduced signature on the bottom right, and the name 'Dal' within a rectangular block at the top center. The figures exhibit fluid, distorted anatomy and dream-like qualities, with one kneeling figure in white appearing to pray or offer devotion. The ground is decorated with small, repeating floral or organic motifs in a sepia-toned ink. This series was commissioned in the early 1950s and produced through the mid-1960s. The condition appears fair with some minor aging to the paper edges, though it should be inspected for light-fading or foxing typical of this age. The craftsmanship is high-quality, reflecting the meticulous wood-block carving process required to recreate Dal's original watercolors.

Estimated Value

$400 - $800

Basic Information

Category

Fine Art - Prints & Multiples

Appraised On

March 2, 2026

Estimated Value

$400 - $800

Item Description

This artwork is a woodcut lithograph from Salvador Dal's extensive suite illustrating Dante Alighieri's 'The Divine Comedy,' specifically belonging to the Purgatory section. The piece features a central group of ethereal, elongated figures executed in a surrealist style characteristic of Dal's 'nuclear mysticism' period. The color palette focuses on soft washes of blue, muted greens, and pale yellows, with a striking orange-red mantle on one figure. The paper appears to be a heavy cream or white art stock. Notable markings include a printed signature 'Dal' at the bottom left, a large black reproduced signature on the bottom right, and the name 'Dal' within a rectangular block at the top center. The figures exhibit fluid, distorted anatomy and dream-like qualities, with one kneeling figure in white appearing to pray or offer devotion. The ground is decorated with small, repeating floral or organic motifs in a sepia-toned ink. This series was commissioned in the early 1950s and produced through the mid-1960s. The condition appears fair with some minor aging to the paper edges, though it should be inspected for light-fading or foxing typical of this age. The craftsmanship is high-quality, reflecting the meticulous wood-block carving process required to recreate Dal's original watercolors.

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