AI identification & appraisal estimate

Cambridge Glass 'Canterbury' Pressed Glass Stein

Submitted photo of Cambridge Glass 'Canterbury' Pressed Glass Stein
Photo submitted by the user — not generated by AI

User's notes

Canterbury glass

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$25.00 - $45.00

AI estimate as of March 3, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This item is a decorative clear glass mug or stein manufactured by the Cambridge Glass Company, specifically featuring the 'Canterbury' pattern (Pattern No. 119). The piece is constructed from heavy pressed glass with a high lead-like clarity characteristic of the mid-20th-century American Brilliant period survivors. Physically, the item stands approximately 4.5 to 5 inches tall, featuring a slightly tapered cylindrical body with a robust, thick-walled D-shaped handle attached to the side. The surface is heavily ornamented with deeply pressed intricate patterns, including stylized floral fan motifs, vertical ribbing at the top collar, and a textured wheat-like or herringbone border around the base. These facets are designed to catch and refract light, mimicking more expensive hand-cut crystal. In terms of condition, the glass appears bright with no significant clouding or 'glass sickness,' though minor surface scratches and shelf wear on the base are expected for an item of this vintage (circa 1930s-1950s). There are no visible chips or cracks in the main body or at the handle joinery. The craftsmanship is high-quality for press-molded glass, showing crisp edges in the mold design. This specific 'Canterbury' line was highly popular for its durability and formal aesthetic, making it a staple of Depression-era and mid-century American tableware.

AI Appraisal Report

Based on my examination of the Cambridge Glass 'Canterbury' (Pattern No. 119) stein, I have assessed the item as a well-preserved example of mid-20th-century pressed glass. The clarity of the glass and the sharpness of the mold lines suggest a production period between the 1930s and 1950s. The piece exhibits the standard characteristics of the Cambridge Glass Company’s high-quality manufacturing, specifically the 'D' handle and the fan motifs that define the Canterbury line. Condition is consistent with light domestic use; the absence of chips at the handle joints and the base—common fail points for heavy glass—is a positive factor for collectors. Market demand for clear pressed glass currently remains stable but modest. The 'Canterbury' pattern was produced in significant quantities, which limits its rarity compared to Cambridge's colored or etched lines. Recent auction and secondary market sales for similar clear steins often fall within the $25-$45 range depending on the buyer's regional interest in American glass. Limitations: This appraisal is based on visual examination via digital imagery. I cannot verify the presence of 'sick glass' or internal annealing cracks not visible under flat lighting. A physical inspection would be required to confirm the lack of microscopic repairs or to detect the signature 'C in a triangle' mark, which was not always present on this line. Full authentication would benefit from UV light testing to observe fluorescence patterns consistent with glass formulas used by Cambridge during the Depression era.

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