John Lowrie Morrison (Jolomo) Landscape Print

This item is a framed landscape print by the renowned Scottish contemporary artist John Lowrie Morrison, professionally known as Jolomo. The artwork depicts a coastal sunset scene, characterized by the artist's signature expressionist style and bold use of color. The palette is dominated by intense oranges, yellows, and deep cobalt blues, applied with high-contrast impasto-like textures typical of the artist's technique. The composition features a silhouette of a tower or lighthouse on a harbor wall, with distant hills and reflections shimmering on the water. The piece appears to be a high-quality giclee or lithographic print on paper, accurately capturing the thick, gestural brushstrokes of the original oil painting. It is professionally mounted with a clean white window mat and housed in a modern metallic gold-toned frame. The artist's distinctive 'Jolomo' signature is visible in the lower right corner. The condition appears excellent with no visible fading, foxing, or damage to the print surface; however, the lower portion of the frame shows some minor surface wear and light scratches consistent with handling. This style is consistent with the artist’s prolific output from the late 20th to early 21st century, celebrating the unique light and landscape of the Scottish Hebrides.

I have virtually examined this framed landscape print by John Lowrie Morrison (Jolomo). The work displays the artist’s characteristic high-key palette and expressionist brushwork, effectively capturing the atmospheric light of the Scottish coast. Visually, the piece presents in good condition with vibrant color retention and no evidence of moisture damage or foxing. The contemporary framing is complementary, though the minor abrasions on the lower molding slightly detract from the overall aesthetic presentation. As a print rather than an original oil on canvas, the value is determined by its status as a decorative multiple. Jolomo’s secondary market for prints is stable, buoyed by his popularity in Scotland and among collectors of contemporary British landscapes. Comparables for framed open-edition or large-run giclee prints typically hammer between $100 and $300 at auction. The value is limited by the lack of an edition number or hand-signature, suggesting this may be a high-quality open-edition reproduction. While the signature in the plate appears authentic to the artist’s style, a definitive valuation requires physical inspection to confirm the printing substrate and check for hand-signed notations or numbering beneath the mat. My assessment is based solely on the provided digital evidence; full authentication would require examining the reverse for gallery labels or provenance documentation, and verifying the paper type using a jeweler's loupe to rule out lower-quality offset lithography. Without a physical certificate of authenticity (COA), this valuation assumes the item is a licensed reproduction.