
Indian Ashoka Lion Capital Decorative Taper Candle Holder
This is a decorative pedestal or candle holder featuring a finely carved finial resembling the Lion Capital of Ashoka, the national emblem of India. The piece stands on a stepped circular base made of a dark-stained, polished hardwood, likely rosewood or ebony-finished sheesham. The central shaft is tapered and smooth, transitioning into a decorative collar featuring two rows of cream-colored beaded or 'pearl' inlay, which appears to be carved bone or a synthetic ivory substitute. The crowning element is a highly detailed cream-colored carving of four lions standing back-to-back on an abacus that includes a frieze carrying sculptures in high relief of an elephant, a galloping horse, a bull, and a lion, separated by intervening chariot wheels. The piece shows signs of mid-to-late 20th-century craftsmanship typical of high-end Indian souvenir or export ware. The condition appears excellent with a rich, glossy patina on the wood and no visible cracks or losses to the delicate carvings at the top. The joinery between the wood and the carved elements is tight, suggesting quality artisanal construction. The overall aesthetic combines traditional Indian imperial iconography with British colonial-style wood turning.
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Estimated Value
$150 - $250
Basic Information
Category
Decorative Arts / Collectibles
Appraised On
April 22, 2026
Estimated Value
$150 - $250
Item Description
This is a decorative pedestal or candle holder featuring a finely carved finial resembling the Lion Capital of Ashoka, the national emblem of India. The piece stands on a stepped circular base made of a dark-stained, polished hardwood, likely rosewood or ebony-finished sheesham. The central shaft is tapered and smooth, transitioning into a decorative collar featuring two rows of cream-colored beaded or 'pearl' inlay, which appears to be carved bone or a synthetic ivory substitute. The crowning element is a highly detailed cream-colored carving of four lions standing back-to-back on an abacus that includes a frieze carrying sculptures in high relief of an elephant, a galloping horse, a bull, and a lion, separated by intervening chariot wheels. The piece shows signs of mid-to-late 20th-century craftsmanship typical of high-end Indian souvenir or export ware. The condition appears excellent with a rich, glossy patina on the wood and no visible cracks or losses to the delicate carvings at the top. The joinery between the wood and the carved elements is tight, suggesting quality artisanal construction. The overall aesthetic combines traditional Indian imperial iconography with British colonial-style wood turning.
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