Linda J. Ging Mixed Media Still Life
Fine Art - Contemporary Paintings & Works on Paper

Linda J. Ging Mixed Media Still Life

This is an original mixed media or monotype work on paper by contemporary artist Linda J. Ging. The composition features a grid-like arrangement of still life elements, including three white eggs and a single vibrant yellow lemon against a textured, multi-colored background of reds, blues, and neutral tones. The work appears to utilize watercolor, gouache, or encaustic techniques, displaying a soft, painterly quality with atmospheric shading and deckled edges on the paper. The piece is floated within a deep cream-colored archival mat, highlighting the irregular edges of the paper. It is housed under glass in a naturally finished, light-toned wood frame with clean, modern lines. The craftsmanship reflects a high degree of control over light and volume, typical of Ging’s focus on light as a subject. The condition appears excellent with no visible foxing, fading, or moisture damage, though there is a minor surface mark on the bottom left edge of the wooden frame. The style is contemporary representational art, likely dating from the late 20th or early 21st century.

Estimated Value

$450 - $650

Basic Information

Category

Fine Art - Contemporary Paintings & Works on Paper

Appraised On

January 27, 2026

Estimated Value

$450 - $650

Additional Details Provided By Owner

User Provided Information

Linda J Ging

Item Description

This is an original mixed media or monotype work on paper by contemporary artist Linda J. Ging. The composition features a grid-like arrangement of still life elements, including three white eggs and a single vibrant yellow lemon against a textured, multi-colored background of reds, blues, and neutral tones. The work appears to utilize watercolor, gouache, or encaustic techniques, displaying a soft, painterly quality with atmospheric shading and deckled edges on the paper. The piece is floated within a deep cream-colored archival mat, highlighting the irregular edges of the paper. It is housed under glass in a naturally finished, light-toned wood frame with clean, modern lines. The craftsmanship reflects a high degree of control over light and volume, typical of Ging’s focus on light as a subject. The condition appears excellent with no visible foxing, fading, or moisture damage, though there is a minor surface mark on the bottom left edge of the wooden frame. The style is contemporary representational art, likely dating from the late 20th or early 21st century.

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