
Landscape with Figures by Eugène Lavieille (1820-1889)
This is an original 19th-century oil painting on canvas or panel, attributed to the French Barbizon school artist Eugène Lavieille (1820–1889). The composition features a pastoral landscape with a large, central leafy tree dominating the mid-ground, flanked by rural cottages and figures gathered in a grassy field. The color palette is dominated by earthy greens, muted browns, and a soft, overcast sky typical of the Barbizon tonalist style. The brushwork is refined yet expressive, capturing the atmosphere of the French countryside. The painting is housed in a substantial, ornate gilded period frame featuring elaborate scrolling foliage and plaster work. A brass nameplate is affixed to the bottom center of the frame, inscribed with the artist's name. Notably, the artist's signature appears in the lower right corner of the composition. The condition is described as excellent, with the canvas appearing taut and the paint surface stable. The frame shows characteristic age-related patina and minor gilding wear, which is consistent with its mid-to-late 19th-century origin. The work exemplifies the naturalistic transition towards Impressionism, prioritizing light and atmospheric fidelity.
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Estimated Value
$4,000 - $6,500
Basic Information
Category
Fine Art - Paintings
Appraised On
February 10, 2026
Estimated Value
$4,000 - $6,500
Additional Details Provided By Owner
User Provided Information
artist LAVIELLE 1820 TOM1889 EXCELLENT CONDITION
Item Description
This is an original 19th-century oil painting on canvas or panel, attributed to the French Barbizon school artist Eugène Lavieille (1820–1889). The composition features a pastoral landscape with a large, central leafy tree dominating the mid-ground, flanked by rural cottages and figures gathered in a grassy field. The color palette is dominated by earthy greens, muted browns, and a soft, overcast sky typical of the Barbizon tonalist style. The brushwork is refined yet expressive, capturing the atmosphere of the French countryside. The painting is housed in a substantial, ornate gilded period frame featuring elaborate scrolling foliage and plaster work. A brass nameplate is affixed to the bottom center of the frame, inscribed with the artist's name. Notably, the artist's signature appears in the lower right corner of the composition. The condition is described as excellent, with the canvas appearing taut and the paint surface stable. The frame shows characteristic age-related patina and minor gilding wear, which is consistent with its mid-to-late 19th-century origin. The work exemplifies the naturalistic transition towards Impressionism, prioritizing light and atmospheric fidelity.
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