AI Appraisal Estimate

AI-generated estimates · not official valuations

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What was submitted

Photo and notes provided by the user — not generated by AI

Submitted item photo
Submitted photo · May 27, 2026

User's notes

Purchased and framed 1996

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

Note

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

·Not independently authenticated·Verify before acting

Nita Engle Signed and Numbered Limited Edition Offset Lithograph

Fine Art Prints

AI Estimated Value

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$450 - $650

As of May 27, 2026

AI Item Analysis

·AI can make mistakes·Verify before acting
This item is a large-format landscape print by the renowned American watercolorist Nita Engle (1925–2019), likely an offset lithograph on high-quality paper. The artwork depicts a serene coastal wilderness scene featuring a mountain range under a dramatic, cumulus-filled sky, with a tranquil body of water in the foreground. Small structures, including a waterfront cabin on stilts, are nestled among dense evergreen forests. A red and white vessel is visible on the left side, providing a focal point and scale. The piece is hand-signed by the artist in the lower right margin and includes a printed signature and 'AWS' (American Watercolor Society) designation within the image area. A pencil-written limited edition number is visible in the lower left corner. The print is professionally presented in a simple, slim-profile metallic silver-toned frame with a wide, neutral off-white mat. Based on the provided context, the piece was framed in 1996 and appears to be in excellent condition with no visible foxing, fading, or moisture damage. The craftsmanship reflects the artist's signature wet-on-wet technique, capturing the atmospheric light and texture of Michigan or Pacific Northwest landscapes.

AI Appraisal Report

·AI can make mistakes·Verify before acting
I have virtually examined this large-format landscape by Nita Engle, AWS. Based on the 1996 framing date and the visual hallmarks—including the hand-signed margin, limited edition numbering, and 'AWS' designation—this appears to be a genuine offset lithograph produced during the height of Engle’s commercial popularity. The condition is excellent; the paper shows no signs of acidic mat burn, foxing, or the UV-fading common in 1990s inks, suggesting it has been displayed in a light-controlled environment. Nita Engle remains a highly respected figure in American watercolor for her 'wet-on-wet' technique. While her original watercolors can command several thousand dollars, her limited edition prints have a steady secondary market. Comparables for framed, large-scale Engle prints typically realize between $300 and $700 depending on the popularity of the specific scene. This coastal wilderness scene is highly desirable as it encapsulates her signature atmospheric light. However, the market for large-format offset lithographs has softened slightly since the 1990s as collectors shift toward smaller formats or giclées. Limitations: This appraisal is based on digital images and cannot confirm the presence of a watermark or the acidity levels of the mounting materials. A full authentication would require removing the print from the frame to inspect the verso for hidden damage and archival tape usage. To confirm primary market provenance, an original gallery receipt from 1996 would be ideal. My valuation assumes the print is not glued to the backing board, which would significantly decrease liquid value.

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