
Charles Bridge and Prague Castle Monochromatic Print
A framed monochromatic art print depicting a scenic view of the Charles Bridge looking towards the Prague Castle (Hradāany) and St. Vitus Cathedral in Prague, Czech Republic. The image is rendered in a high-contrast black and grey wash style, likely a lithograph or high-quality digital print on paper. It features the iconic cobblestone pathway of the bridge, embellished with Baroque statues and ornate Victorian-style street lamps. The composition uses a strong diagonal perspective, drawing the viewer's eye from the lower-left foreground toward the historic skyline in the distance. The print is professionally mounted with a double mat—a thin white inner border followed by a wide black mat. It is housed in a substantial wooden frame with a distressed, antiqued gold or bronze foil finish that exhibits a textured, mottled patina. A signature is visible in the bottom right corner of the print, though it is slightly obscured by reflections. The piece appears to be in excellent contemporary condition with no visible foxing, yellowing, or structural damage to the frame. The overall aesthetic suggests a modern production designed to mimic 19th-century architectural etchings, showcasing fine lines and atmospheric shading.
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Estimated Value
$150 - $250
Basic Information
Category
Fine Art Prints
Appraised On
December 18, 2025
Estimated Value
$150 - $250
Item Description
A framed monochromatic art print depicting a scenic view of the Charles Bridge looking towards the Prague Castle (Hradāany) and St. Vitus Cathedral in Prague, Czech Republic. The image is rendered in a high-contrast black and grey wash style, likely a lithograph or high-quality digital print on paper. It features the iconic cobblestone pathway of the bridge, embellished with Baroque statues and ornate Victorian-style street lamps. The composition uses a strong diagonal perspective, drawing the viewer's eye from the lower-left foreground toward the historic skyline in the distance. The print is professionally mounted with a double mat—a thin white inner border followed by a wide black mat. It is housed in a substantial wooden frame with a distressed, antiqued gold or bronze foil finish that exhibits a textured, mottled patina. A signature is visible in the bottom right corner of the print, though it is slightly obscured by reflections. The piece appears to be in excellent contemporary condition with no visible foxing, yellowing, or structural damage to the frame. The overall aesthetic suggests a modern production designed to mimic 19th-century architectural etchings, showcasing fine lines and atmospheric shading.
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